Photographer Dana Hoey describes former world champion boxer Alicia Ashley’s shadowboxing as ‘sublimely beautiful.’ Here, in a 44-foot-long wall mural at Chelsea’s Petzel Gallery, Ashley engages with Hoey’s humanoid, diamond-patterned assemblages in a series of movements that showcases the boxer’s art and her agency. (On view in Chelsea through August 2nd).
A fish-headed creature with legs runs desperately on a treadmill in this painting by Dana Schutz, epitomizing the pervasive anxiety and grotesque shape-shifting that energize her huge new paintings at Petzel Gallery. In one of the show’s largest paintings, Schutz depicts a mountaintop crowded with oddball characters with competing interests (from a landscape artist to a yogi), none of whom look enlightened. Elsewhere, a worried man in a business suit carefully washes a monster he can’t escape. Malaise abounds in Schutz’s portrayal of a dangerous and uncertain world. (On view at Petzel Gallery through Feb 23rd).
An ominous cloud of fleshy tones and dark lines conjures hidden images (birds? an angular face?) as it hovers over an old-fashioned telephone in Charline von Heyl’s ‘Dial M for Painting.’ Like Hitchcock’s ‘Dial M for Murder,’ intrigue and tension dominate; a hastily drawn telephone leads us in to the drama while the floating mass above gives pause for thought, all against a screaming yellow background. (On view at Petzel Gallery in Chelsea through Oct 20th).
Known for combining art, architecture and design, Jorge Pardo takes a turn towards two-dimensional work at Petzel Gallery with laser cut light boxes bearing his self-portraits. This surprising turn away from 3-D objects and spaces, along with Pardo’s recent self-portraits crafted on furniture, begs the question of whether all of the artist’s design isn’t a form of portraiture. (On view at Petzel Gallery through Jan 13th).
Nicola Tyson’s freewheeling firewood sculptures embody a grace that belies their origins in the woodpile. Stripping each piece of dried firewood of its bark, Tyson assembles fleshy ‘dancing figures’ as disproportionate assemblages of thick and thin segments that bring to mind human bodies, trees and robots. (In ‘Somebodies’ at Petzel Gallery in Chelsea through Aug 4th).
