Tag: painting

Dabin Ahn at 1969 Gallery

Inspired by traditional Korean ceramics, Chicago-based artist Dabin Ahn’s new paintings at 1969 Gallery combine art historical references with a feeling of wonder and whimsy.  Painted like an apparition, the top section of this vessel hovers in lighter tones above the more solid-looking segment below.  Perhaps once part of the decoration, the birds’ white wings continue the contour of the vase while they appear to cavort in mid-air.  Materializing as if from memory or history, the vase may be broken, but its magical quality remains.  (On view in Tribeca through April 20th).

Dabin Ahn, Phantom, 18h x 17w inches, oil on linen, 2024.

Maria Calandra at Fredericks & Freiser Gallery

Red-orange skies appear to be ablaze in Maria Calandra’s landscape painting of Weir Island in Maine while her blue skies over Como, Italy are a tranquil color but feature roiling clouds.  Apocalyptic in their color and Mannerist in their elongated forms, Calandra’s paintings at Fredericks & Freiser Gallery are hallucinogenic visions that offer visual pleasure via their dynamic fluidity.  Here, Mont Sainte-Victoire, made famous by Paul Cezanne’s many images of the mountain near Aix-en-Provence, rises above a field of flowers and greenery that appears to be flowing up the mountain.  (On view in Chelsea through April 13th.)

Maria Calandra, Mont Sainte-Victoire, acrylic on linen, 2023.

Kaloki Nyamai at James Cohan Gallery

Nairobi-based artist Kaloki Nyamai’s New York solo debut at James Cohan Gallery introduces an artist who uses acrylic paint, stitching and photo transfer to create complex surfaces that suggest complicated histories.  This painting’s title, ‘The one who stole my heart,’ features a figure leaning back into a man whose outward-looking eyes connect with our gaze.  In contrast to the couple’s intimate, relaxed moment, partially visible figures in the background raise their arms in what could be celebration or protest.  Elsewhere, photo transfers contrast happy moments of communal activity with news articles about political unrest as Nyamai juxtaposes the lives of individuals with larger social happenings.  (On view through May 4th).

Kaloki Nyamai, Ula wosiee ngoo yakwa II (The one who stole my heart), mixed media, acrylic, collage stitching on canvas, 2024.
Kaloki Nyamai, (detail) Ula wosiee ngoo yakwa II (The one who stole my heart), mixed media, acrylic, collage stitching on canvas, 2024.

Zaria Forman at Winston Wachter

Zaria Forman’s monumental polar landscapes, rendered in intricate detail in pastel, have afforded her national recognition and the chance to work with NASA as an artist.  In her latest solo show at Winston Wachter Gallery in Chelsea, Forman continues to capture the beauty of ice in renderings of an Icelandic glacial lagoon.  Fragments of ice washed ashore and resting on black volcanic sand look like jewels, while bubbles trapped in ice form a dynamic, abstract composition.  Forman’s focus is on the specifics of landscape vs the climate changes impacting it, and her work offers a moment to appreciate the sublime as it presently exists.  (On view in Chelsea through March 30th in SoHo).

Zaria Forman, Fellsfjara, Iceland, No. 5, April 22nd, 2022, soft pastel on paper, 40 x 51 1/8 inches, 2023.
Zaria Forman, (detail) Fellsfjara, Iceland, No. 5, April 22nd, 2022, soft pastel on paper, 40 x 51 1/8 inches, 2023.

Sarah Ball at Stephen Friedman Gallery

At over eight feet high, British artist Sarah Ball’s portrait of Elliot has stunning presence in Stephen Friedman Gallery’s Tribeca space. Drawn to young individuals whose self-fashioning demonstrates their creativity and defies gender norms, Ball meticulously renders details of face, hair and dress in an appreciation of each subject’s unique identity. (On view in Tribeca through March 23rd).

Sarah Ball, Elliot, oil on linen, 100 3/8 x 80 7/8 inches, 2023.