Constanza Schaffner at Luhring Augustine Gallery

Constanza Schaffner goes eye to eye with a friendly lion, laughs with abandon and basks in the light in new, fantastical self-portraits at Luhring Augustine Gallery’s Tribeca space.  Here, the shadow of a large flower falling over Schaffner’s face adds complexity to her appearance while the light from another planetary orb illuminates from behind.  Alongside her, her hair transforms into swirling glyphs and her uncovered shoulders come alive in a multi-color pattern of yellow, peach and blue tones that take her far from traditional portraiture into a place of inventive freedom.  (On view through March 2nd ).

Constanza Schaffner, Un canto que atravieso, oil on linen, 90 x 70 inches, 2023.

Amilcar de Castro in ‘Empty House/Casa Vazia’ at Luhring Augustine Gallery

Like sketchbook pages mounted to the wall, Brazilian Neoconcretist sculptor Amilcar de Castro’s model-like Corten steel sculptures resemble drawings for future pieces as well as typography, recalling the artist’s graphic design background. (At Chelsea’s Luhring Augustine Gallery through Aug 28th).

Amilcar de Castro, Untitled, 140 sculptures of Corten steel, 9 inches – approx. size, c. 1990. (background) Paulo Monteiro, Untitled, bronze, 28 11/16 x 35 3/8 x 35 3/8 inches, bronze.

Charles Atlas at Luhring Augustine Gallery

Against video of sunsets shot on a Rauschenberg residency in Florida, numbers flash in anticipation of the 18 minutes prior to sunset in veteran video-artist Charles Atlas’ latest solo show at Chelsea’s Luhring Augustine Gallery. Titled ‘The Waning of Justice,’ the show decries the current political state of the country with help in the back gallery from legendary drag performer Lady Bunny. (Through March 14th).

Charles Atlas, installation view of ‘The Waning of Justice,’ at Luhring Augustine, Feb 2015.

William Daniels at Luhring Augustine Gallery

In his latest solo show at Chelsea’s Luhring Augustine Gallery, British artist William Daniels continues to walk the line between abstraction and representation in new paintings for which he constructed, photographed, then painted arches made of aluminum foil.  (Through Aug 16th).  

William Daniels, Untitled, 42 3/8 x 41 ¾ inches, oil on board, 2013.

Glenn Ligon at Luhring Augustine Gallery

Glenn Ligon, Double America, neon & paint, 2012.
Glenn Ligon, Double America, neon & paint, 2012.

Glenn Ligon’s ‘Double America’ occupies its own room at a show of the artist’s text-based neon artworks made since ’05, enhancing the impact of a high-wattage piece that brings to the fore division and binary oppositions in this country. (At Chelsea’s Luhring Augustine Gallery through December 8th).