Tag: james cohan

Christopher Myers at James Cohan Gallery

Christopher Myers’ applique textiles at James Cohan Gallery picture dramatic moments in history; here, a star-shape on the head of 19th century Xhosa leader Mlanjeni speaks to his vision of resistance to British colonialism in South Africa, specifically his prophesy that the Xhosa would be impervious to British bullets.  Created from a patchwork of patterned textiles, each hanging work speaks to an individual creator employing material with its own histories and associations into a larger, conceptually layered image.  Likewise, Myers’ subjects, who range from Paiute Ghost Dance advocate Wovoka to Hong Xiuquan, who fought the Qing Dynasty leaders to create an earthly Heavenly Kingdom, crafted diverse and complex ideologies of resistance.  (On view in Tribeca through April 2nd).

Christopher Myers, Star of the Morning placed itself on his forehead, applique textile, 80 ½ x 58 5/8 inches, 2022.

Gauri Gill at James Cohan Gallery

Since 2015, New Delhi-based artist Gauri Gill has worked with indigenous communities and craftsmen in the Indian state of Maharashtra to create arresting photographs of masked people in everyday situations.  In recent work at James Cohan Gallery’s new Tribeca location, Gill continues to be inspired by the masks worn in annual, entire-community performances of religious rituals but has commissioned secular versions that deviate from the normal look and use of such masks.  Collaborating with the individuals in the photos, Gill devises uncanny scenarios that momentarily bridge fictional and real worlds.   (On view at 52 Walker, 2nd floor through Nov 13th.  Masks required.)

Gauri Gill, detail of Untitled (64) from Acts of Appearance, archival pigment print, 60 x 40 inches, 2015 – ongoing.

Alison Elizabeth Taylor at James Cohan Gallery

Alison Elizabeth Taylor creates new natural wonders at James Cohan Gallery with her latest solo show of 2-D artworks crafted in a blend of marquetry, paint and photographic media.  Here, an affectionate couple in the Covid era have beautifully rendered hair – composed of various types of wood veneer – and a bandana that amazingly manages to be believable as both cloth and wood grain.  (On view in Tribeca through Oct 23rd.  Masks and social distancing required.)

Alison Elizabeth Taylor, Kiss, marquetry hybrid, 31 x 24 inches, 2021.

Josiah McElheny at James Cohan Gallery

Josiah McElheny’s current show of blown glass sculpture at James Cohan Gallery’s Lower East Side location was inspired by a set of references as complex as his mirrored environments but dazzles even without the background info.  Prompted by a library imagined by Argentinian writer Jorge Luis Borges, McElheny creates vessels intended to house various forms of knowledge.  In this sculpture, McElheny explains that oblong shapes embody the idea of atoms in motion and the planet on its elliptical orbit.  Though we don’t literally see a library of knowledge relating to elliptical motion, each sculpture inspires wonder at the possibilities of what we may have not yet considered.  (On view on the Lower East Side through June 12th. Masks and social distancing are required).

Josiah McElheny, From the Library of Elliptical Motion, Hand-blown, cut, polished, and mirrored glass; low-iron mirror and two-way mirror; electric light; walnut frame, 24 1/4 x 28 x 20 1/2 in, 2021.

Elias Sime at James Cohan Gallery

Megaphones accent the surfaces of Ethiopian artist Elias Sime’s latest sculptures at James Cohan Gallery, prompting viewers to question what voices are amplified in public discourse.  In the context of politics and the pandemic, Sime explains that he’s thinking about “…how humans are easily manipulated by individuals and rush to conclusions that they often regret when the truth begins to surface.”  Having recently created domed sculpture for a show at the Saint Louis Art Museum inspired by Native American Cahokia Mounds and the St Louis Gateway Arch, this huge, bowl-like sculpture is a highlight of Sime’s current show. (On view in Tribeca through April 24th.  Masks, social distancing and appointments are required).

Elias Sime, Tightrope: Eyes and Ears of a Bat (1), reclaimed electrical wires on wood, 47 ¼ x 83 ½ inches, 2020.