Elias Sime at James Cohan Gallery

Megaphones accent the surfaces of Ethiopian artist Elias Sime’s latest sculptures at James Cohan Gallery, prompting viewers to question what voices are amplified in public discourse.  In the context of politics and the pandemic, Sime explains that he’s thinking about “…how humans are easily manipulated by individuals and rush to conclusions that they often regret when the truth begins to surface.”  Having recently created domed sculpture for a show at the Saint Louis Art Museum inspired by Native American Cahokia Mounds and the St Louis Gateway Arch, this huge, bowl-like sculpture is a highlight of Sime’s current show. (On view in Tribeca through April 24th.  Masks, social distancing and appointments are required).

Elias Sime, Tightrope: Eyes and Ears of a Bat (1), reclaimed electrical wires on wood, 47 ¼ x 83 ½ inches, 2020.

Mierle Laderman Ukeles at the Queens Museum of Art

Since the 70s, conceptual and performance art pioneer Mierle Laderman Ukeles mopped museum steps, shook the hand of every sanitation worker in New York and devised plans for the public to engage with the Fresh Kills Landfill on Staten Island, all in an effort to revalue the labor involved in maintaining our city, offices and homes. At the entrance to her 40+ year retrospective at the Queens Museum of Art, Laderman Ukeles plants this arch – made of donated work gloves and other items from local and federal agencies – as celebration of and homage to the work of keeping things running. (Through Feb 19th).

Mierle Laderman Ukeles, Ceremonial Arch IV, 5,000 + gloves donated from 10 urban organizations, in steel cages and on steel rods, situated over six columns wrought from materials donated from local and federal agencies, 1988/1993/1994/2016.
Mierle Laderman Ukeles, Ceremonial Arch IV, 5,000 + gloves donated from 10 urban organizations, in steel cages and on steel rods, situated over six columns wrought from materials donated from local and federal agencies, 1988/1993/1994/2016.