Nick Cave, famous for his part-armor, part-costume sound-suits, meditates on gun violence in America in a sobering, symbol-laden show at Jack Shainman Gallery. Here, Cave nestles found sculptures of African heads amongst hands paired in prayer or raised in a solitary gesture of greeting, surrender or a caress. Flowers in the background offer hope of renewal. (On view at Jack Shainman’s two Chelsea locations through Dec 22nd).
Wealth is a provocative topic for Nigerian-American artist Toyin Ojih Odutola, who depicts two well-heeled fictional Nigerian families in her latest charcoal, pastel and pencil drawings at Chelsea’s Jack Shainman Gallery. Vibrant and moody, the portraits ask – as Ojih Odutola puts it – ‘what would wealth look like’ had colonialism not happened? (On view at both Jack Shainman Gallery locations through Oct 27th).
Nick Cave’s mixed media sculptures at Jack Shainman Gallery look like soft, dyed fur, but the reality is more somber. Patterns painted on short, sharp wires portray what the gallery reveals is a “…layered mapping of cataclysmic weather patterns superimposed onto brain scans of black youth suffering from PTSD as a result of gun violence.” (On view on 20th Street in Chelsea through June 23rd).
Inspired by Louis Lozowick’s 1935 ‘Strike Scene’ lithograph, Hank Willis Thomas’s stainless steel ‘Strike’ is a powerful symbol of resistance. A highlight of the artist’s latest two-gallery solo show at Jack Shainman Gallery, the sculpture presents a fragment of a scenario that speaks to a broader history of struggle. (On view in Chelsea through May 12th).
Granted access to Nation of Islam leadership and communities in 1963, Life photographer Gordon Parks shot remarkable images including this portrait of women’s leader Ethel Sharrieff. Now on view at Jack Shainman Gallery’s 24th Street location, the arresting show overviews selections from Parks’ lesser-known yet powerful series. (On view through Feb 10th).
