Deborah Butterfield at Marlborough Gallery

Though told as a student that horses weren’t ‘serious’ subjects for contemporary art, Deborah Butterfield persevered to become renowned for sensitive and powerful sculptures of horses created in materials from salvaged metal to sea plastics.  Best-known are her bronze pieces that still appear to be made of the wood from which they were cast, an enticing illusion.  In a show of new work at Chelsea’s Marlborough Gallery, Butterfield sourced wood from near her home/working horse ranch in Montana and property in Hawaii to create towering horses like this one titled ‘Sweetgrass,’ which, though its assembled form is light like a sketch created in wood, has a powerful presence in keeping with its weighty bronze manufacture.  (On view through Jan 14th).

Deborah Butterfield, Sweetgrass, cast bronze, unique, 90 x 108 x 33 inches, 2021 – 22.

Charlotte Dumas at Julie Saul Gallery

Roosevelt, Arlington National Cemetery, Arlington, Virginia, pigment print, 2012.
Roosevelt, Arlington National Cemetery, Arlington, Virginia, pigment print, 2012.

Charlotte Dumas’s photographs of the horses who participate in soldier burials at Arlington National Cemetery are shot ‘at home,’ in their stables after hours.  Out of their work context, they’re portrayed as individuals, and the effect is striking.  Originally commissioned by the Corcoran Gallery of Art, they’re now on view at Chelsea’s Julie Saul Gallery through March 9th.