Spencer Finch at the Hill Art Foundation

It’s impossible not to gaze out over 10th Ave or the greenspace of the High Line Park through the floor-to-ceiling windows of the Hill Art Foundation’s gorgeous two-story Chelsea gallery space.  Spencer Finch – an artist who has made a career of simulating natural phenomena in gallery settings using a diverse range of media from photography to installation – reverses the outward look, inviting nature into the space. Inspired by Claude Monet’s desire to “paint air,” Finch has created an installation that recreates his direct observation of the light and color of the famous Impressionist’s garden in Giverny.  (On view through March 4th).

Spencer Finch, Painting Air, glass, hardware, wall painting, dimensions variable, 2012.

Agnieszka Kurant in ‘No Forms’ at the Hill Art Foundation

In the words of one curator, conceptually oriented artist Agnieszka Kurant “makes the fictional actual.”  Whether it’s commissioning authors to write books referred to in works of fiction or creating maps of mythical places, Kurant investigates what she calls ‘phantom capital,’ or value waiting to be realized.  In this sculpture titled ‘Air Rights 2’ in the Hill Art Foundation’s summer group show in Chelsea, the artist finds a parallel in the real estate concept of air rights, the potential useable space above a property. Here, a constructed rock hovers over a pedestal as if by magic; held in place by electromagnets, the ordinary appears to be extraordinary. (On view through July 15th).

Agnieszka Kurant, Air Rights 2, powdered stone, foam, wood, electromagnets, custom pedestal, base: 59 ¼ x 9 x 9 inches, 2015.