Agnieszka Kurant in ‘No Forms’ at the Hill Art Foundation

In the words of one curator, conceptually oriented artist Agnieszka Kurant “makes the fictional actual.”  Whether it’s commissioning authors to write books referred to in works of fiction or creating maps of mythical places, Kurant investigates what she calls ‘phantom capital,’ or value waiting to be realized.  In this sculpture titled ‘Air Rights 2’ in the Hill Art Foundation’s summer group show in Chelsea, the artist finds a parallel in the real estate concept of air rights, the potential useable space above a property. Here, a constructed rock hovers over a pedestal as if by magic; held in place by electromagnets, the ordinary appears to be extraordinary. (On view through July 15th).

Agnieszka Kurant, Air Rights 2, powdered stone, foam, wood, electromagnets, custom pedestal, base: 59 ¼ x 9 x 9 inches, 2015.

Published by

Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)