Keith Edmier at Petzel Gallery

Grace Kelly, Venus and U.S. First Ladies are the elevated subjects of NY sculptor Keith Edmier’s enticing if eclectically-themed solo show at Chelsea’s Petzel Gallery. Here, an orchid developed for former first lady Laura Bush and replicated in dental acrylic is equally attractive and creepy, its waxy appearance and unnatural color suggesting embalmed beauty. (Through June 20th).

Keith Edmier, The Pink Orchid c. 1875-90 (Blc. Laura Bush ‘First Lady’ AM/AOS), dental acrylic and acrylic paint on Tennessee marble base, 15 x 11.5 x 8 inches, 2015.

Hope Gangloff at Susan Inglett Gallery

Do you think Hope Gangloff’s friend Yelena likes patterns? With abundance that recalls Matisse post-Morocco, the upstate painter gives us an explosion of color and design to delight the senses. (At Chelsea’s Susan Inglett Gallery through June 6th).

Hope Gangloff, Yelena, acrylic and collage on canvas, 82 x 45inches, 2015.

Airan Kang at Bryce Wolkowitz Gallery

Some books electrify the reader, some illuminate our understanding; few do so as literally as in South Korean artist Airan Kang’s glowing volumes now on show at Bryce Wolkowitz Gallery in Chelsea. (Through June 13th).

Airan Kang, installation view of ‘The Luminous Poem,’ May 2015.

Christopher Wool at Luhring Augustine

First, a tangle of barbed wire, then a looser, smoother mass of looping lines in bronze greets visitors to Christopher Wool’s latest solo show at Luhring Augustine in Chelsea. In contrast to the inherently dangerous barbed wire, the larger sculptures are freer, suggesting unraveling string or cooked spaghetti dried out, as well as drawn lines unleashed into three dimensions. (In Chelsea through June 20th).

Christoher Wool, installation view at Luhring Augustine Gallery, May 2015.

Yinka Shonibare at James Cohan Gallery

Few these days think that the gods are responsible when an earthquake or tsunami hits, but British/Nigerian artist Yinka Shonibare pictures the wrath of Zeus (background) and Poseidon (front right) to comment on climate change in his latest solo show at James Cohan Gallery. Placed directly on the floor in their bold (signature Shonibare) fabrics, the gender-bending divine dancers emanate power.

Yinka Shonibare, installation view of ‘Rage of the Ballet Gods’ at James Cohan Gallery, May 2015.