The Phrygian cap, worn as a symbol of emancipation in the French revolution and before, inspired American sculptor Martin Puryear’s new work at Chelsea’s Matthew Marks Gallery. As a series of sculptures that point to freedom, Puryear’s work goes beyond formally attractive objects to suggest justice as its own form of beauty. (Through Jan 10th).
Martin Puryear (foreground), Big Phrygian, painted red cedar, 2010-2014.
As construction continues apace on several new buildings in Chelsea, French artist Cyprien Gaillard’s first solo show at Barbara Gladstone Gallery – featuring sculptures made of excavator heads) feels particularly apt and a little too familiar. Fixed with calcite rods sourced in Iran and Utah, Gaillard reaches for international import, but his general point about destruction and progress stemming from the same tool is a little blunt. (At Barbara Gladstone Gallery through Dec 21st).
Cyprien Gaillard, installation view of ‘Today Diggers, Tomorrow Dickens,’ at Barbara Gladstone Gallery, (excavator heads and banded calcite), November 2013.
