Transylvanian twins Gert & Uwe Tobias offer more of the large-scale woodblock prints that have earned them widespread recognition in recent years in their solo show at SoHo’s Team Gallery. In this untitled piece, a daybed with a circular, saw-blade-like ornament may have felled the caped jester on the floor…the mystery is provocative. (Through March 30th).
Untitled (GUT/2053), colored woodcut on canvas, 2012
Sylvie Fleury’s 1998 video ‘Walking on Carl Andre,’ features women’s feet as they pose on ‘60s Minimalist icon Carl Andre’s signature metal floor plate sculptures. In this updated version, she allows visitors to try on a pair of heels and strut their stuff on an Andre replica in a feminizing collaboration that turns his masculine, industrial art product into a catwalk. (At Salon 94 Bowery through April 27th.)
Sylvie Fleury, installation view of ‘It Might as Well Rain Until September,’ at Salon 94 Bowery, March 2013.
Assembled over time on the floor of his studio from Home Depot paint color samples and traces of studio debris, William Cordova’s colorful paper grids bear witness to his own history of studio activity while alluding to the culture and history of the people of the Andes through a resemblance to the Wiphala flag. (At Sikkema Jenkins & Co through April 6th).
William Cordova, untitled (cuntisuyo), 2013; untitled (chinchasuya), 2011; untitled (tupac katari) 2011-12; untitled (antisuya), 2013. All mixed media collage on paper.
The figures in Rita Ackermann’s new paintings at Hauser & Wirth’s 69th Street location appear to materialize from the deep, their outlines like veins seen through flesh or marble. Ghostly characters with pointy pixy noses and saucer-shaped eyes, they walk the line between benevolent and menacing. (Through April 20th).
Rita Ackermann, ‘Fire by Days Blues VII,’ spray paint, oil pigments and rabbit skin glue on canvas, 2013.
To celebrate the centenary of the late Philip Guston’s birth, McKee Gallery is showing key later work by the artist who is known for his unnerving cartoonish figures such as this duo in Klan hoods who navigate urban streets with a car full of bodies at sunrise. (At 745 Fifth Ave, through April 20th)
Philip Guston, ‘Dawn,’ oil on canvas,1970.
