Young Danish artist Alexander Tovborg painted one abstracted image of a dinosaur, turned it to the wall and from memory painted the next, creating this row of images that rely on memory and depict now extinct – yet gorgeously colored – creatures. (At Nicelle Beauchene Gallery on the Lower East Side through Dec 21st).
Alexander Tovborg, Eternal Feminine (I), felt, pastel crayon, acrylic and imitated gold leaf on wood panel, 48 x 36 inches, 2014.
Traditional perspective takes a vacation in riotous new collages by Chicago Imagist artist Gladys Nilsson featuring monumental female figures created from and surrounded by consumer goods. This quail-eggs-for-nipples-Venus yolks it up against a fertile arbor backdrop. (At Garth Greenan Gallery, through Dec 6th).
Gladys Nilsson, A Girl in the Arbor #3, mixed media on paper, 2013.
Lily Ludlow’s angular abstractions at first look like x-rays of Cubist paintings, but her deliberately indistinct canvases (actually sanded down) gradually materialize into charged interactions between nude or semi-clothed characters. (At Canada on the Lower East Side through Dec 14th).
Lily Ludlow, The Knifers, acrylic, pencil, graphite, chalk on canvas, 2014.
Canonical works of western art from throughout the ages – cut from the pages of art books – rub shoulders in Vancouver artist Geoffrey Farmer’s ‘Boneyard’ installation at Casey Kaplan Gallery in Chelsea. The effect is surprisingly odd as it seems to warp space and time via the simple device of propping paper cutouts on a white tabletop. (Through Dec 20th).
Geoffrey Farmer, Boneyard, paper cutouts, wood, glue, dimensions variable, 2013.
Reconstructed images from the Internet form the basis for Brooklyn artist Daniel Gordon’s riotous digital still life collages at Chelsea’s Wallspace Gallery. Vivid color and abundant patterns rival Matisse’s most energetic interiors in this delightfully wacky artistic accumulation of imagery. (Through Dec 20th).
Daniel Gordon, Root Vegetables and Avocado Plant, chromogenic print, 60 x 50 inches, 2014.
