EVOL at Jonathan LeVine Gallery

Cardboard boxes are an inspired background for Berlin-based artist EVOL’s spray paintings of elements lifted from gritty urban facades. (At Jonathan LeVine Gallery in Chelsea through July 25th).

EVOL, Berliner Luft, spray paint and mixed media on cardboard, 28 11/16 x 36 9/16 inches, 2015.

Marcel Odenbach at Anton Kern Gallery

For his latest solo show, German video and collage artist Marcel Odenbach produces collaged images of what he calls ‘Green Zones,’ or marginal spaces in which nature and unexplained human activity meet. Seen here in detail, a scarf tied around a tree branch suggests a memorial, composed of clipped and copied press images referring to “…religious delusion, racism and murder…’ explains the gallery. (At Anton Kern Gallery in Chelsea through July 3rd).

Marcel Odenbach, Grunflache 3 (Green Zone 3), ink and collage on paper, 81 x 108 inches (framed), 2014/15.

Tony Oursler at Lehmann Maupin Gallery

Huge whispering heads with combined features of several people tower over visitors to Tony Oursler’s latest solo show at Lehmann Maupin’s Lower East Side space. Inspired by his wariness of facial recognition technology, Oursler creates hybrid faces composed not of a unified whole but of identifiable parts ready to be stored as info in a database. (Through June 14th).

Tony Oursler, CV (15), wood, LCD screens, inkjet print, sound, performed by Jason Scott Henderson and Joanna Smolenski, 106 x 71.5 x 30.5 inches, 2015.

Hope Gangloff at Susan Inglett Gallery

Do you think Hope Gangloff’s friend Yelena likes patterns? With abundance that recalls Matisse post-Morocco, the upstate painter gives us an explosion of color and design to delight the senses. (At Chelsea’s Susan Inglett Gallery through June 6th).

Hope Gangloff, Yelena, acrylic and collage on canvas, 82 x 45inches, 2015.

Judith Henry at Bravin Lee

Both identity and longevity are illusory, Judith Henry’s photos seem to say. Masked and standing in front of paintings that she made in response to others, Henry takes a photo, then uses the painting as a surface for the next work. (At Bravin Lee in Chelsea through May 16th).

Judith Henry, Blue Rectangle, archival pigment print on Hahnemuhle Photo Rag Bright White, 19 x 24 inches, 2014.