Kiki Kogelnik at Mitchell-Innes & Nash

As Pop art burst onto the US art scene in the early 60s, Austrian artist Kiki Kogelnik moved to New York and forged her own related path, imagining humans as robots, bombs as sculpture and later, models as aliens.  In this painting from 1979, Kogelnik morphed the fashion-forward woman of the day into a creature with glowing eyes and stylish garments, hair and skin in reptilian green tones.  Set against floating triangles, the women are as abstract as their backgrounds and ready to defy convention.  (On view at Mitchell-Innes & Nash in Chelsea through June 29th).

Kiki Kogelnik, City, oil and acrylic on canvas, 98 5/8 x 63 1/8 inches, 1979.

Kiki Kogelnik in ‘Untitled Body Parts’ at Simone Subal Gallery




Austrian Pop artist Kiki Kogelnik lays out bodies for view in ‘Cold Passage,’ an oil painting that offers and denies access to its subjects by abstracting heads into round emoji-like circles (though the painting is from 1964) and silhouetted bodies as if they’re flat cutouts or crime scene chalk outlines. (At Simone Subal Gallery through Feb 7th).

Kiki Kogelnik, Cold Passage, oil and acrylic on canvas, 59 ¾ x 48 inches, 1964.