Daniel Gordon in ‘Jew York,’ at Untitled Gallery

Brooklyn-based Daniel Gordon presents one of his signature photo collages at Untitled Gallery on the Lower East Side, a selection of apples and pears that update Cezanne’s twisted perspectives on fruit by adding multiple digital perspectives against contemporary but dated background textiles.  (Through July 26th).  

Daniel Gordon, Pink Ladies and Pears, chromogenic print, 2012.

Samara Golden in ‘Truck Baby,’ at Rachel Uffner Gallery

Disembodied hands snap photos at all angles from long tripods in ‘Truck Baby’ at Rachel Uffner Gallery on the Lower East Side.  LA-based Samara Golden, known for disorderly installations of fantastical worlds, presents a more straightforward tableau here, in which anonymous hands record everything.  (Through July 20th).  

Samara Golden, installation view of ‘A Convocation of,’ foam, wood, acrylic, 2012 in ‘Truck Baby’ at Rachel Uffner Gallery.

Margaret Weber at Ramiken Crucible

In one of the Lower East Side’s standout shows of the moment, Margaret Weber meticulously deconstructs large sections of commercial carpeting to create two monumental wall hangings and a floor piece, changing a drab, industrial product into an airy, handcrafted textile.  (At Ramiken Crucible, through June 23rd).  

Margaret Weber, Trading Comfort for Freedom, industrial carpet, 2012.

Marc Quinn at Mary Boone Gallery

British artist Marc Quinn has referred to his gargantuan bronze seashell sculptures as Venus’ pedestal (from Botticelli’s famous painting), a spiraling symbol of the world in motion, and a ‘symbol of a woman’s sex.’  Towering at over eight feet high, what they most symbolize (along with Jeff Koons’ and Paul McCarthy’s current Chelsea shows) is enormous production values. (At Mary Boone Gallery through June 29th).  

Marc Quinn, Map of the Space-Time Continuum, bronze, 2013.

Rona Pondick at Sonnabend Gallery

It comes as no surprise that Kafka’s ‘Metamorphosis’ is a favorite of New York artist Rona Pondick, whose new sculptures at Chelsea’s Sonnabend Gallery continue her trademark combination of her own head and other cast body parts with plant or animal bodies.  Here, a wallaby’s stylized, beautiful form merges with a drooping hand and hanging head, suggesting a dragging weight. (Through April 27th).  

Rona Pondick, Wallaby, stainless steel, 2007-12.