Roger White at Rachel Uffner Gallery

Roger White’s new oil paintings at Rachel Uffner Gallery approach the wondrous in the everyday – a mirror reflects light, an array of mushrooms grows from a bag – but the artist amps up the drama in this picture of fire on a river. Has there been a chemical spill? Is this a miracle? A sci-fi scene? This small, intriguingly moody canvas asks good questions. (On the Lower East Side through Feb 19th).

Roger White, Touristic Scene with Burning River, oil on canvas, 10 x 17 inches, 2017.
Roger White, Touristic Scene with Burning River, oil on canvas, 10 x 17 inches, 2017.

Curtis Talwst Santiago at Rachel Uffner Gallery

A tiny, parched figure gasps for water, a protesting crowd descends to a pool of water and here, an overloaded boat of migrants braves choppy waters in dramatic ring box dioramas by Canadian artist Curtis Talwst Santiago. Seen in Lilliputian scale, Santiago’s characters seem to be at the mercy of the elements and other forces beyond their control as they struggle onward. (At Rachel Uffner Gallery on the Lower East Side through Jan 8th).

Curtis Talwst Santiago, Deluge VII, mixed media diorama in reclaimed jewelry box, 6 x 4 x 4 ½ inches, 2016.
Curtis Talwst Santiago, Deluge VII, mixed media diorama in reclaimed jewelry box, 6 x 4 x 4 ½ inches, 2016.

3 Sculptors at Rachel Uffner Gallery

Brie Ruais’ wall mounted sculpture is designed to record the trace of her hands forming the shape of the sculpture, Sally Saul’s little women offer a kind of canvas for her ceramic compositions and Sara Murphy’s leg sawhorses provide a support for unnamed table-top activities. All expound on the human body as inspiration for creativity. (At Rachel Uffner Gallery on the Lower East Side through Oct 23rd).

Installation view of ‘3 Sculptors’ at Rachel Uffner Gallery, Sept 2016.  In the foreground is Sara Murphy’s ‘Holders,’ plywood and 2 x 6 studs, 36 ½ x 57 x 52 inches, 2016.
Installation view of ‘3 Sculptors’ at Rachel Uffner Gallery, Sept 2016. In the foreground is Sara Murphy’s ‘Holders,’ plywood and 2 x 6 studs, 36 ½ x 57 x 52 inches, 2016.

‘Old Truths and New Lies’ at Rachel Uffner Gallery

How do you make a show that’s the ‘antithesis of a white male abstract painting show?’ With inclusiveness and anti-status quo intentions, artist and curator Mae Fatto has hung work by female (and male) artists who push the idea of what abstract art should be – from Wilder Alison’s banner-like work hanging from the rafters to Annabeth Marks’ soft-shaped intense blue canvas to Ana Cardoso’s acrylic and digital print panels stretching up the gallery walls. (At Rachel Uffner Gallery on the Lower East Side through July 31st).

Installation view of ‘Old Truths and New Lies’ at Rachel Uffner Gallery, July 2015.

Leonhard Hurzlmeier in ‘Proper Nouns’ at Rachel Uffner Gallery

This mildly racy painting by young German artist Leonhard Hurzlmeier of a dentist getting ready in the morning gives pause for thought – is she demonstrating extreme skill or incredible awkwardness? (At Rachel Uffner Gallery through Feb 22nd).

Leonhard Hurzlmeier, Zahnarztin bei der Morgantoilette (Dentist Getting Ready), oil on canvas, 38.4 x 27.2 inches, 2013/14.