Stephen Shore at 303 Gallery

The Museum of Modern Art’s current retrospective of Stephen Shore’s photography lauds his ‘poetics of the ordinary.’ Shot in Montana, though not obviously linked to a particular location, this composition at 303 Gallery encourages viewers to find aesthetic interest in unexpected times and places. (On view in Chelsea through Feb 17th).

Stephen Shore, installation view of Three Forks, Montana, August 6, 2017, pigment print, 64 x 48 inches, printed 2017.

Florian Maier-Aichen at 303 Gallery

For years, Florian Maier-Aichen stayed dedicated to analogue approaches to photography; his latest digital images – created with Photoshop’s Lasso tool – have the joyful energy of a new convert. (On view at 303 Gallery in Chelsea through Dec 22nd).

Florian Maier-Aichen, Untitled (Lasso Painting #3), inkjet print, 90 ½ x 68 1/8 inches, 2016.

Eva Rothschild at 303 Gallery

Branch-like, bead-covered forms wrap around a hollow, multicolored cast of a forearm in Eva Rothchild’s latest show at 303 Gallery. Dark, glittery and talismanic, her latest sculptures offer an almost tactic experience for the eyes, turning surface and form into territory to be minutely explored. (On view in Chelsea through Oct 28th).

Eva Rothschild, (detail of ) Arm of the Rainbow, glass beads, aluminum, fiberglass, fabric, jesmonite, rebar, 77 ½ x 17 x 16 ¼ inches, 2017.

Rodney Graham at 303 Gallery

Displayed on a lightbox, Canadian artist Rodney Graham’s staged photographs are enticing, glowing portals into the past. In this unlikely scenario, a jazz drummer from yesteryear uses his kit as a table for a traditional meal of Salisbury Steak. (At 303 Gallery in Chelsea through June 2nd).

Rodney Graham, Dinner Break (Salisbury Steak), printed aluminum lightbox with transmounted chromogenic transparency, 44 5/8 x 34 5/8 x 7 inches, 2017.

Mary Heilmann at 303 Gallery

Mary Heilmann’s paintings lead viewers down the road, but a scattering of brightly colored chairs designed by the artist and installed in Chelsea’s 303 Gallery invites us to stay a while. Titled Maricopa Highway, this painting ignores the view to either side of this scenic California roadway, instead taking us straight into a washy blue heavens. (Through Dec 19th).

 Mary Heilmann, Maricopa Highway, acrylic on canvas, 42 x 42 x 1 ½ inches, 2015.