Annie Pootoogook in ‘Akunnittinni; A Kinngait Family Portrait’ at the National Museum of the American Indian

The late Canadian Inuk artist Annie Pootoogook’s domestic scenes are sometimes tranquil, sometimes violent, but this portrait drawing of her grandmother, the artist Pitseolak Ashoona, radiates calm. (On view at the National Museum of the American Indian through Jan 8th).

Annie Pootoogook, A Portrait of Pitseolak, colored pencil and ink on paper, ’03 – ’04.

Robert Longo at Metro Pictures Gallery

Round the corner into Metro Pictures smaller back gallery and suddenly you’re in the valley of an enormous wave, dwarfed by a ominous black swell that prompts terror even on dry land. The scene is the highlight of Robert Longo’s show of huge, charcoal drawings, a body of work that pictures refugees, CIA prisoners and Ferguson protesting football players in a tour de force of contemporary conflict. (On view in Chelsea through June 17th).

Robert Longo, Untitled (Raft at Sea), triptych; charcoal on mounted paper, 140 x 281 inches overall, 2016-2017.

Raymond Pettibon at David Zwirner Gallery

This comically alarmed puffer fish is apparently startled by the empathy of an unnamed individual; in a thought bubble, the fish remarks that ‘his great melancholy eyes swim in a mist of commiseration.’ As comment on warming seas and endangered wildlife, the painting pits emotion vs action. (At David Zwirner Gallery’s 519 West 19th Street location).

Raymond Pettibon, No Title (His great melancholy…), 44 x 30 ¼ inches, 2017.

Dawn Clements at Pierogi Gallery

Dawn Clements isn’t bothered about artful arrangement of the still life objects she paints, yet each object’s deliberately placement gives them all equal weight, from a smiley face made of fruits and a banana, to lip balm, rubber bands and a small belt buckle. (At Pierogi Gallery on the Lower East Side through May 7th).

Dawn Clements, Table (MacDowell), watercolor on paper, 81 x 99 inches, 2015.

Pedro Reyes at Lisson Gallery

150 drawings of writers, artists, intellectuals and cultural leaders by Mexico City-based artist Pedro Reyes fill the expansive walls of Lisson Gallery’s 24th Street location.   These and large stone sculptures carved from Mexican volcanic stone are art as ‘sanctuary,’ explained Reyes in a recent interview, adding, “…These are the things we are fighting for.” (On view through April 15th).

Pedro Reyes, installation view at Lisson Gallery, Feb 2017, foreground: Amendment, volcanic stone, 32 ¼ x 54 3/8 x 19 ¼ inches, 2017.