Eddie Martinez at Mitchell-Innes and Nash

A practical mentality dominates Eddie Martinez’s current two gallery solo show at Mitchell-Innes and Nash. Not finding a studio last summer, he painted in his yard. Finding inspiration in his daily drawings on family stationery, he scaled them up as eight-foot tall paintings. Titled ‘Love Letter,’ the second body of work would seem to refer to his wife’s name at the top of each painting though given the significance of drawing to his evocative abstract forms, he may have another muse in mind. (On view in Chelsea through Feb 24th).

Eddie Martinez, Love Letter #13, silkscreen ink, oil, spray paint and enamel on canvas, 96 x 75 inches, 2017.

Beatrice Caracciolo at Paula Cooper Gallery

Paris-based Italian artist Beatrice Caracciolo’s ‘Tramontana’ refers in its title to a cold north wind, which appears to cause a landscape to hunker down in this expressive ink on paper artwork. (On view at Paula Cooper Gallery in Chelsea through Feb 3rd).

Beatrice Caracciolo, Tramontana, water soluble ink on paper, 58 x 65 x 1 inches, 2017.

Robyn O’Neil at Susan Inglett Gallery

The visionary landscapes of Joseph Yoakum (1890-1972) and Robyn O’Neil (b. 1977) are Spartan and stylized, turning familiar natural forms of mountains, trees and more into apocalyptic omens. In this detail of a drawing by O’Neil, America’s national bird dominates a huddled crowd and an inhospitable landscape. (On view at Susan Inglett Gallery through Jan 27th).

Robyn O’Neil, detail of The Everywhere Citadel, graphite on paper, 38 ½ x 60 ¼ inches, 2016.

Annie Pootoogook in ‘Akunnittinni; A Kinngait Family Portrait’ at the National Museum of the American Indian

The late Canadian Inuk artist Annie Pootoogook’s domestic scenes are sometimes tranquil, sometimes violent, but this portrait drawing of her grandmother, the artist Pitseolak Ashoona, radiates calm. (On view at the National Museum of the American Indian through Jan 8th).

Annie Pootoogook, A Portrait of Pitseolak, colored pencil and ink on paper, ’03 – ’04.

Robert Longo at Metro Pictures Gallery

Round the corner into Metro Pictures smaller back gallery and suddenly you’re in the valley of an enormous wave, dwarfed by a ominous black swell that prompts terror even on dry land. The scene is the highlight of Robert Longo’s show of huge, charcoal drawings, a body of work that pictures refugees, CIA prisoners and Ferguson protesting football players in a tour de force of contemporary conflict. (On view in Chelsea through June 17th).

Robert Longo, Untitled (Raft at Sea), triptych; charcoal on mounted paper, 140 x 281 inches overall, 2016-2017.