Bisa Butler at Deitch Projects

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A fabulously patterned rendition of Harriet Tubman’s portrait at the entrance to Bisa Butler’s show at Deitch Projects announces Butler’s supremely enjoyable textile practice and celebration of the achievements of Black Americans.  Basing her artworks on photographs by creatives including Gordon Parks and Jamel Shabazz, Butler lovingly embellishes her subjects using an array of rich materials, including cotton, silk, wool, velvet, and lace.  This portrait of Ahmir Questlove Thompson (original photo by Daniel Dorsa) incorporates glass beads, adding dimension and reflecting light to suggest the musical artist’s visionary quality.  (On view through June 30th).

Bisa Butler, The Passion of Questlove, from a photograph of Ahmir Questlove Thompson by Daniel Dorsa, cotton, silk, wool, velvet, lace, jet glass beads and vinyl quilted and appliqued, 36 x 23 inches, 2023.
Bisa Butler, (detail) The Passion of Questlove, from a photograph of Ahmir Questlove Thompson by Daniel Dorsa, cotton, silk, wool, velvet, lace, jet glass beads and vinyl quilted and appliqued, 36 x 23 inches, 2023.

Mark Handforth at Luhring Augustine Gallery

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Known for adopting materials that resemble urban infrastructure (streetlamps, signage) and manipulating them with apparently Herculean effort into whimsical sculpture, Mark Handforth scales down the size but delivers on delight in a show of new work at Luhring Augustine Gallery in Tribeca.  Tall burnt matchstick sculptures and deliciously candy-colored aluminum columns accompany ‘Harlequin Star,’ a sculpture that appears to be a guardrail casually folded into a star shape with a neon accent.  Handforth has commented on the recurring stars in his work, identifying the shape as something “so recognizable that [it] cease[s] to exist.”  Though its ubiquity may make it mundane, Handforth harnesses unexpected materials and light to make this star a standout.  (On view through July 28th).

Mark Handforth, Harlequin Star, aluminum, prismatic foils and LED light, 80 x 68 x 28 inches, 2023.

Yayoi Kusama at David Zwirner Gallery

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Giant steel flowers, undulating yellow and black polka dot pumpkins and a selection of over thirty vibrantly patterned paintings by Yayoi Kusama at David Zwirner Gallery deliver the delight and pleasure expected of the iconic Japanese artist’s work.  The daughter of plant nursery owners, nature has always played a role in Kusama’s over 60-year career; via flowers and plants, Kusama’s latest New York show presents a message of love for life, even as select painting titles allude to dark times and the difficulties of family life.  Three steel sculptures titled ‘I Spend Each Day Embracing Flowers’ is a natural background for selfies, enlisting gallery-goers in spreading Kusama’s upbeat message.  (On view in Chelsea through July 21st).

Yayoi Kusama, I Spend Each Day Embracing Flowers (foreground), stainless steel and urethane paint, 98 x 111 x 106 inches, 2023.

Seth Price at Petzel Gallery

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Seth Price starts many pieces in his show of new work at Petzel Gallery by working with an AI to generate an image, which he prints onto a surface and embellishes with paint, applied by brush or his own body.  He photographs what he’s created, then uses software to add virtual objects to the digital image.  Finally, he prints these later additions back onto the original painting in a back and forth digital/analogue process that foregrounds the collaboration between artist and machine.  The depth in many images is created by metallic, cylindrical shapes that disrupt easy reading of a flat, painted surface and create visual interest in this arrestingly unusual body of work. (On view in Chelsea through June 3rd).

Seth Price, Weeptober, acrylic paint, generatively produced image reverse-transferred into acrylic polymer, and UV-print on aluminum composite, 96 x 76 1/8 x 1 inches, 2022-23.

Takako Yamaguchi at Ortuzar Projects

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Situated between landscape painting and pattern-driven abstraction, Takako Yamaguchi’s new paintings at Ortuzar Projects in Tribeca are a beautiful and dynamic stylization of nature.  This coastal scene features two swirls of clouds or waves, rising up to form an Ionic column over a tranquil sea.  Below, the painting’s sense of space is complicated by a band of crisp wave forms while a glowing metal leaf triangle at top right further disrupts a realistic, 3-D rendering of space.  Titled ‘Pivot,’ the painting’s constant perspectival shift rewards continued looking.  (On view through June 13th).

Takako Yamaguchi, Pivot, oil and metal leaf on canvas, 60 x 40 inches, 2022.