Roberto Diago at Magnan Metz

Celebrated Cuban artist Roberto Diago presents wall-mounted works in corrugated sheet metal that look like weather-beaten modernist abstractions with a distinctly Cuban twist revealed in the title, ‘Variaciones de Oggun,’ a nod to the Latin American deity Oggun, who is associated with metal work. (At Magnan Metz in Chelsea through April 9th).

Roberto Diago, installation view of work from the series, ‘Variaciones de Oggun,’ (Variations of Ogun), 2010, March 2016 at Magnan Metz Gallery.
Roberto Diago, installation view of work from the series, ‘Variaciones de Oggun,’ (Variations of Ogun), 2010, March 2016 at Magnan Metz Gallery.

Anna Ostoya at Bortolami Gallery

Inspired by Artemisia Gentileschi’s famous early 17th century painting of the Biblical heroine Judith slaying the Assyrian army general Holofernes, Anna Ostoya’s quasi-cubist rendition of the scene pits Judith against herself. Now that beheadings have become current events, Ostoya asks to what extent this is self-definition and self-harm. (At Bortolami Gallery in Chelsea through April 23rd.)

Anna Ostoya, Judith Slaying Judith, 78 ½ x 62 inches, oil on canvas, 2016 and Judith, oil on canvas, 20 x 16 inches, 2016.
Anna Ostoya, Judith Slaying Judith, 78 ½ x 62 inches, oil on canvas, 2016 and Judith, oil on canvas, 20 x 16 inches, 2016.

Tim Hawkinson at Pace Gallery

Tim Hawkinson offers visitors to Pace Gallery the chance to snoop through his medicine cabinet, in the process giving us the time around the globe with what’s actually a world clock in disguise. The unassuming bathroom fixture includes a bandage representing the time in Los Angeles and a soap pump acting as a clock for Tokyo. The biggest delight is New York’s timepiece – a lotion bottle with a cap that rotates as an hour hand and a drip of lotion (plastic) that acts as the minute hand. (At Chelsea’s Pace Gallery through April 23rd).

Tim Hawinson, World Clock, medicine cabinet, ace bandage, lotion bottle, prescription medicine bottle, dental floss, deodorant, toothbrushes, plastic cup, pump soap bottle, nail clipper and clock motors, 25 ½ x 16 x 21 inches, 2012.
Tim Hawkinson, World Clock, medicine cabinet, ace bandage, lotion bottle, prescription medicine bottle, dental floss, deodorant, toothbrushes, plastic cup, pump soap bottle, nail clipper and clock motors, 25 ½ x 16 x 21 inches, 2012.

Ellsworth Kelly at Matthew Marks Gallery

Strong shadows and angular forms in photos of barns and rural architecture shot between the 50s and early 80s by Ellsworth Kelly bear a striking resemblance to the abstract shapes of the artist’s paintings, offering what feels like a peek at the artist’s real-world inspirations. (At Matthew Marks Gallery in Chelsea through April 30th).

Ellsworth Kelly, Barn, Southampton, gelatin silver print, 8 ½ x 13 inches, 1968.
Ellsworth Kelly, Barn, Southampton, gelatin silver print, 8 ½ x 13 inches, 1968.

Doug Fogelson at Sasha Wolf Gallery

Doug Fogelson’s ‘Ceaseless’ series comprises beautiful but damaged nature photos, for which the Chicago-based artist shot traditional landscape photos, which he printed and partially destroyed by applying common industrial chemicals to the surface. Ironically, the results are gorgeous. Here, a verdant forest hovers like an apparition surrounded by peeling layers of emulsion. (At Sasha Wolf Gallery on the Lower East Side through April 16th).

Doug Fogelson, Ceaseless No. 1, 24 x 24 inches, 2015.
Doug Fogelson, Ceaseless No. 1, 24 x 24 inches, 2015.