Belgian artist Luc Tuymans is known for paintings that evoke memories. Here, cars reflected in the canals of the Dutch town of Ridderkerk are based on Polaroids taken by the artist. A solid stone bridge meets the evocative green-tinged murk of the canal, recalling moments of leisure spent pondering the water from the land. (At David Zwirner Gallery in Chelsea through June 25th).
Though William Bailey’s serene still life arrangements share subject matter with Giorgio Morandi’s paintings of bottles, jars and vases, their contours are perfectly complete and clear, achieving comparative gravity and a sense of permanence. Still, Bailey’s objects embody a sense of apartness that makes them captivating. (At Betty Cunningham Gallery on the Lower East Side through June 11th).
Jocelyn Hobbie’s imaginary female figure is one step away from dissolving into the patterns that clothe and surround her; even her hair resembles wavy ribbons more than real locks. In the midst of all this visual input, the woman is a cipher, her far-away look suggesting she is only present physically. (At Fredericks & Freiser Gallery through June 18th).
Mitchell-Innes & Nash gallery in Chelsea aims to prove that iconic Pop artist Tom Wesselman was not only a pioneer of pop culture imagery, but a technical innovator, from collaging billboard cutouts onto canvas to molding plastic paintings. Here, Smoker reminds us that Wesselman also used shaped canvases to isolate forms that here, make supposedly seductive lips look troubling. (In Chelsea through May 28th).
Can the grandeur of the Yosemite landscape be captured on a small screen? David Hockney gives it a good shot, to luminous effect in his printed iPad drawings, now on view at Pace Gallery’s 25th Street location in Chelsea. (Through June 18th).
