Caroline Larsen at The Hole NYC

Caroline Larsen’s paintings are a deliberate tour-de-force of low-brow associations, resembling latch-hook or embroidery, created by squeezing oil paint through pastry bags and mounted on cheap wall coverings. Seemingly designed to test whether there’s any fertile ground left in the fine art vs kitsch debate, they deliberately elude the kind of transcendence that this majestic mountainscape might suggest. (At The Hole NYC through July 24th).

Caroline Larsen, Diamond Back, oil on canvas over board, 37 x 47 inches, 2016.
Caroline Larsen, Diamond Back, oil on canvas over board, 37 x 47 inches, 2016.

‘Guilding the Lolly’ at Gavin Brown’s Enterprise

Brian Belott’s eclectic, messy collaged artwork pops up regularly in New York group shows; this month for Gavin Brown’s Lower East Side summer group show, Belott’s the organizer, having asked artist friends to contribute their own reinterpretations of iconic artwork. Among the standouts, Giva Beavers remakes Van Gogh’s Starry Night as if rendered in bacon and Melissa Brown brings Holbein’s Ambassadors up to date in paint and lottery scratch-off ink on aluminum. (Through July 30th).

Installation view of ‘Guilding the Lolly,’ curated by Brian Belott at Gavin Brown’s Enterprise, through July 30th.
Installation view of ‘Guilding the Lolly,’ curated by Brian Belott at Gavin Brown’s Enterprise, through July 30th.

Trevor Shimizu at 47 Canal

T Magazine described a sketchy painting of a happy pregnant woman by Trevor Shimizu as having ‘emotional depth’ that ‘transcends that of an emoji.’ Perhaps it’s because Shimizu doesn’t set the bar very high on his draftsmanship or finish that his paintings charm with their earnestness and humor. His latest show was inspired by parenthood, reflecting on sleep deprivation (front) and breastfeeding in public (rear). (At 47 Canal on the Lower East Side through July 30th).

Trevor Shimizu, Sleep Deprived 1, oil on canvas, 58 x 55 inches.  In the background right:  Breastfeeding in Public (1), oil on canvas, 72 x 66 inches.
Trevor Shimizu, Sleep Deprived 1, oil on canvas, 58 x 55 inches. In the background right: Breastfeeding in Public (1), oil on canvas, 72 x 66 inches.

Roxy Paine in ‘False Narratives’ at Pierogi

A generic meeting room, scaled down to doll-size and crafted in minute detail by Roxy Paine is the centerpiece of Pierogi’s summer group show ‘False Narratives.’ The absence of tables as protective barriers suggests that honesty and vulnerability will be part of whatever discussions take place here; a bulletin board on the wall offers topics of conversations that include ‘captives and fugitives’ and ‘chance and fate.’ (On the Lower East Side through July 31st).

Roxy Paine, Meeting, birch, maple, epoxy, apoxie, LED lights, acrylic light diffusers, enamel, lacquer, oil paint, damar varnish, paper, steel, aluminum, stainless steel, 130.25 x 97.5 x 58.5 inches, 2016.
Roxy Paine, Meeting, birch, maple, epoxy, apoxie, LED lights, acrylic light diffusers, enamel, lacquer, oil paint, damar varnish, paper, steel, aluminum, stainless steel, 130.25 x 97.5 x 58.5 inches, 2016.

Gerard Mullin at Kristen Lorello Gallery

Young Brooklyn-based, Irish artist Gerard Mullin merges paint and design in hand-carved abstract works that never seem to stop moving. (At Kristen Lorello Gallery on the Lower East Side through July 15th).

Gerard Mullin, Untitled, watercolor, wood dye and acrylic on plywood, 48 x 35 ¾ inches, 2013.
Gerard Mullin, Untitled, watercolor, wood dye and acrylic on plywood, 48 x 35 ¾ inches, 2013.