Geometry rules this painting by Toronto-based painter Veronika Pausova, who alludes to domestic environments by picturing curtains, cupboards and flower vases in still life paintings that are both tranquil and tense. This standout from her current show at Simone Subal Gallery, titled ‘Neighbour,’ suggests a nosy neighbor twitching her stylish curtains or the reverse – a neighbor tantalizingly out of our view. (On the Lower East Side through July 28th).
John Williams eschews the cutting edge by repurposing old technology, using overhead projectors to create a series of bold sculptures that recall the experimental quality of Man Ray’s photograms with an extra measure of playful inventiveness. Here, car parts affixed to the gallery wall become hair and a smile, a projected straw is a nose and a slinky funnels light upward into a bright white eye. The other eye must be winking at us as we share the joke. (At Brennan and Griffin on the Lower East Side through July 21st. )
The New York Academy of Art’s annual summer exhibition brings together a variety of artwork for sale at accessible prices – a rare proposition in Chelsea’s booming mega-gallery scene. Susan Siegel’s ‘Big Hair’ is a tiny painting at eight by eight inches, but it packs a humorous punch. Substituting a cow for one of the delicate creatures normally populating Baroque painting, Siegel subverts our pleasure in consuming images of excess. (At Flowers Gallery through July 15th).
New York painter Bennett Vadnais’ ‘House’ is a standout in George Billis Gallery’s summer group exhibition of cityscapes. Several of the show’s paintings zero in details of urban life – a water tower, a segment of a bridge – but Vadnais adds a focus on the passage of time by contrasting buildings from different eras. (On view in Chelsea through July 22nd ).
German painter Marcus Webber draws inspiration from odd moments experienced in daily street life; his paintings titled after public places, like ‘N-Platz (Nolli)’ include odd characters like the robed figures with triangular heads who attract a stare from a circular-headed shopper in the foreground. (In ‘Painting in due time’ at Thomas Erben Gallery in Chelsea through July 28th.)
