Nicholas Buffon at Callicoon Fine Arts

Central Park is bursting with color and life in this acrylic painting by New York artist Nicholas Buffon, currently on view on the Lower East Side at Callicoon Fine Arts.  Featuring the Bethesda Fountain’s ‘Angel of the Waters’ by queer sculptor Emma Stebbins, the painting calls attention to and celebrates sites important to LGBTQ communities around the city.  (On view through March 24th).

Nicholas Buffon, Bethesda Fountain, acrylic and carbon transfer on Bristol paper, 20 ½ x 13 ½ inches, 2018.

 

 

Erik Olson at Bravin Lee

Inspired by views of distant galaxies via NASA’s Hubble Telescope, Canadian painter Erik Olson launched a series of paintings that bring his characteristic bright color and expressive forms to outer space.  Including paintings made with DS black, a light absorbing coating material, Olson’s show at Bravin Lee expresses wonder at and appreciation of our world and beyond.  (On view in Chelsea through March 16th).

Erik Olson, Earth (Night View), oil, acrylic and flashe on canvas, 71 x 82 ¾ inches, 2018-19

Jen Liu at Simone Subal Gallery

Female legs become soft beakers in Jen Liu’s painting of a luxuriously gold-toned world populated by detached body parts, currently on view at Simone Subal Gallery on the Lower East Side.  A floating head connects by thin gold wire to the legs, while giant fingers reach in from the side to manipulate events.  A nearby video featuring a hot dog factory manned by cadres of female workers aims at “resolving the inequities of wealth and resource distribution through the factory-produced hot dog.”  (On view through March 24th).

Jen Liu, PSCS Gold Loop: Shoe Tubes, acrylic ink, acrylic gouache, and gold acrylic on paper, 70 x 51 inches, 2017.

Wilmer Wilson IV at Susan Inglett Gallery

Thousands of staples obscure and decorate the surface of a photo mounted on wood by Philadelphia-based artist Wilmer Wilson IV at Susan Inglett Gallery.  Hiding the besuited figures barely visible below, the staples create an antsy rhythm, reflect light and deflecting viewers’ gaze. (On view in Chelsea through March 16th).

Wilmer Wilson IV, Host, staples and pigment print on wood, 48 x 192 x 2 ¼ inches (diptych), 2018.

Judy Pfaff at Miles McEnery Gallery

From melted plastics to acrylic paint on paper from old Indian ledgers, Judy Pfaff’s use of traditional and non-traditional art materials continues to set her exuberantly colored new assemblages apart.  Now on view at Miles McEnery Gallery, her new riotous new creations are dominated by circular and organic forms. Part of a series of pieces title ‘Quartet,’ they find harmony in difference.  (On view through March 9th in Chelsea).

Judy Pfaff, detail of ‘Quartet + 1, photographic inspired digital image, aluminum disks, acrylic, melted plastic, 102 x 120 x 26 inches, 2018.