North Carolina potter Jim McDowell channels the ceramic styles of enslaved craftsmen from the mid-19th century in face jugs with a message. ‘War Ends Nothing’ says the text written into the side of ‘War ‘n’ Peace’ on the left, while ‘Trayvon’ at center carries words that expresses anger at and healing after the death of Trayvon Martin. (On view at Cavin Morris Gallery in Chelsea through April 20th).
Nikki Maloof puts her audience right in the cage with these canaries while free pigeons cavort outside. Newspaper headlines on the pages papering the cage alternate between self-help and anxious messages while a dynamic twisting branch and electric colors of the yellow birds against a pink wall suggest pleasure and danger. (On view at Jack Hanley Gallery on the Lower East Side through April 21st).
The back glow behind the woman in Amanda Baldwin’s ‘Blushing Orchid’ and the neon-like outline of flowers against the wall suggest that the artist has a paintbrush in hand and her mind in the digital realm. The surreal, collage-like effect of pairing a realistic eye with Photoshop features or delicate blooms with blanched fern fronds deliberately juxtaposes the pleasure of looking in the digital and analogue realms. (On view at Thierry Goldberg Gallery through April 28th.)
This nearly ten-foot high bamboo and rattan sculpture by Sopheap Pich is a standout in the second iteration of the Cambodian artist’s two-part solo show at Tyler Rollins Fine Art in Chelsea. Inspired by a Louis MacNeice poem about reconciling opposites, Pich suggests seed pods and lungs with a piece that is 2-D, 3-D and larger than life. (On view through April 19th).
Worlds collide in Beijing-based artist Jia Aili’s huge, apocalyptic paintings at Gagosian Gallery in Chelsea. An ominous, oval-shaped portal appears to generate flashes of lightning and cause a disruption in space and time while to the left, a puffy, cloud-like figure shoots up toward a mysterious black orb. Whether this is an alien-invasion or some kind of terrestrial catastrophe, the drama is deeply absorbing. (On view at Gagosian Gallery’s 21st Street location in Chelsea through April 13th).
