The back glow behind the woman in Amanda Baldwin’s ‘Blushing Orchid’ and the neon-like outline of flowers against the wall suggest that the artist has a paintbrush in hand and her mind in the digital realm. The surreal, collage-like effect of pairing a realistic eye with Photoshop features or delicate blooms with blanched fern fronds deliberately juxtaposes the pleasure of looking in the digital and analogue realms. (On view at Thierry Goldberg Gallery through April 28th.)
Amanda Baldwin, Blushing Orchid, oil on canvas, 53 x 42 inches, 2019.
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
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