Olga de Amaral at Lisson Gallery

‘For me, gold is the sun,’ explains octogenarian Columbian artist Olga de Amaral as she describes the importance and stunning impact of the material in her textiles.  Hanging assemblages of gold-covered linen positioned near the door of Chelsea’s Lisson Gallery catch the natural light and resemble ancient carved stones; further in the gallery, this piece adds palladium, another metal that reflects light and adds to the luxurious quality of this labor-intensive artwork.  (On view in Chelsea through Dec 18th.  Masks and proof of vaccination required.)

Olga de Amaral, Memorias 6, linen, gesso, acrylic, gold leaf and palladium, 78 5/8 x 74 ¾ inches, 2014.

 

Andrea Zittel at Andrea Rosen Gallery

Andrea Zittel, A-Z Carpet Furniture:  Cabin, nylon carpet, 2012.
Andrea Zittel, A-Z Carpet Furniture: Cabin, nylon carpet, 2012.

Why is one textile hung carefully on a wall for display while others are put on the floor for everyday use?  Andrea Zittel’s latest solo show, designed by her and crafted by weavers from around the country, digs into the question of why we want both beautifully designed objects with use value and objects to rever as fine art.  Zittel created this carpet to fill the floor of her yet-to-be-built 12 x 16 foot cabin. (At Andrea Rosen Gallery, Chelsea, through October 27th).