Wangechi Mutu at Gladstone Gallery

Twelve feet in diameter and commanding Gladstone Gallery’s entire front room, Wangechi Mutu’s bronze ‘Mama Ray’ is a force to be reckoned with.  Rising up on her wing-like fins to meet visitors, this regal aquatic creature is only head-high but radiates power.  Mutu’s bronze sculptures, which include four created for the Met Museum’s prestigious façade commission in 2019, introduce new mythologies devised, the artist explains, to picture new heroes, courage, beauty and love. (On view through June 19th. Masks and social distancing are required.)

Wangechi Mutu, detail of Mama Ray, bronze, 65 x 192 x 144 inches, 2020.

Wangechi Mutu’s Metropolitan Museum of Art Facade Commission

The Metropolitan Museum of Art may be closed to deter the spread of COVID-19 but one of its most exciting new commissions is still on view outside.  In never-filled niches designed to hold statuary, Wangechi Mutu has installed four bronze sculptures of powerful women wrapped in coiled garments that the artist describes as ‘living, tactile and fleshy’ but which also act protectively.  Polished disks (here, at the back of this figure’s head) echo traditional ornament worn by women of status in many African cultures.  Though inspired by caryatid sculptures in which women support a burden (from prestige stools to the Vanderbilt mantlepiece) these queenly and otherworldly figures are leaders, not servers.  (On view outside the Metropolitan Museum of Art through June 8th, 2020).

Wangechi Mutu, ‘The Seated’ (one of four sculptures in the series), bronze, 2019.

Wangechi Mutu at Barbara Gladstone Gallery

Kenyan-born artist Wangechi Mutu’s hybrid bodies enter a new chapter in her latest solo show at Barbara Gladstone Gallery, where this bronze mermaid merges animal and human. The reference taps into E. African folktales of dugongs – a manatee-like creature – manifesting as female sirens who’d lure men into the sea. (In Chelsea on 21st Street through March 25th).

Wangechi Mutu, installation view of ‘Ndoro Na Miti,’ at Barbara Gladstone Gallery, February, 2017.