Claudia Wieser at Marianne Boesky Gallery

Berlin-based artist Claudia Wieser takes the 1976 BBC drama ‘I, Claudius’ as inspiration for a gorgeous exhibition featuring wallpaper printed with towering busts from antiquity and a series of refined painted vessels atop a large ceramic tiled pedestal.  Rather than tell a story or suggest particular meanings, Wieser evokes elegance and opulence using low-brow materials like wood and mirror-polished steel, perhaps a parallel to politically corrupt Roman rulers whose culture non-the-less produced prized artwork.  (On view at Marianne Boesky Gallery in Chelsea through April 14th).

Claudia Wieser, installation view of ‘Chapter’ at Marianne Boesky Gallery, March 2018.

Thomas Demand at Matthew Marks Gallery

Thomas Demand’s meticulous paper sculptures from his ‘Dailies’ series pay homage to ordinary objects that were encountered, considered extraordinary for a moment, photographed, then forgotten.  After reconstructing a scene shot on his phone as a paper sculpture, Demand prints the image as a vivid dye transfer print.  Positioned on Demand’s wall of anonymous lockers, the banal becomes something wondrous again. (On view in Chelsea at Matthew Marks Gallery through April 7th). 

Thomas Demand, Daily #30, framed dye transfer print, 26 ½ x 21 ½ inches, 2017 over Locker, UV print on nonwoven wallpaper, dimensions variable, 2017.

Jay Pluck in ‘People Who Work Here’ at David Zwirner Gallery

The folks behind-the-scenes have taken over the scene at David Zwirner Gallery’s 533 West 19th Street, location in Chelsea, where some forty artists who work at the gallery are showing their own work. Here, Jay Pluck’s hand painted wallpaper pattern is a welcome sliver of Matisse-like color and pattern installed unexpectedly between galleries. (Through Aug 5th).

Jay Pluck, Untitled, acrylic paint on paper and wheat paste, dimensions variable, as installed, 190 x 10 inches, 2016.
Jay Pluck, Untitled, acrylic paint on paper and wheat paste, dimensions variable, as installed, 190 x 10 inches, 2016.

Barbara Takenaga at DC Moore Gallery

Set against wallpaper developed for an installation at Mass MoCA, Barbara Takenaga’s ‘Life’ looks like an implosion inside of a molecular structure. The effect is eye-popping in person. (At DC Moore Gallery in Chelsea through April 30th).

Barbara Takenaga, Lift II, acrylic on linen, 54 x 45 inches, 2015.
Barbara Takenaga, Lift II, acrylic on linen, 54 x 45 inches, 2015.

Olaf Breuning at Metro Pictures

Flotsam from the digital world materializes in Olaf Breuning’s latest solo show at Chelsea’s Metro Pictures gallery, which is crowded with large wall-paper covered MDF panels that reference thought bubbles, emoticons, motivational slogans and more. (Through July 31st).

Olaf Breuning, installation view of ‘The Life,’ at Metro Pictures, June 2015.