Urs Fischer at Gagosian Gallery

Van Gogh’s flower paintings were intended to be life affirming, representing joy, appreciation of nature and mankind’s love of the divine.  In this installation view of Urs Fischer’s piece ‘Denominator’ at Gagosian Gallery, a replica sunflower painting is overlaid with a projection of talking heads sourced from the internet, a juxtaposition geared to suggest that our devotion has shifted to the virtual realm.  The painting is part of a recreation of a room in London’s National Gallery, the added heads commenting on how traditional ways of spreading culture have shifted to individuals using on-line platforms. (On view in Chelsea through Oct 15th).

Urs Fischer, Denominator, database, algorithms, and LED cube, 141 ¾ x 141 ¾ x 141 ¾ inches, 2020-22.

Urs Fischer at Gagosian Gallery

Urs Fischer wants art to ‘do more than it does.’  With a team of software engineers and the input of choreographer Madeline Hollander, the New York-based Swiss artist sets out to surprise gallery visitors with a troupe of dancing office chairs, programmed to interact with each other and humans.  Dubbed ‘robotic sculptures,’ the chairs come across as sinister if they come up behind you but strangely cute from the front as they hover nearby, slowly swiveling their wheels like a dog wagging its tail.  Here, several engage in a group animation reminiscent of a chorus-line about to kick up its heels. (On view at Gagosian Gallery through Oct 13th).

Urs Fischer, installation view of ‘Play’ at Gagosian Gallery’s 522 West 21st Street location, September, 2018.

Urs Fischer at Gagosian Gallery on the Lower East Side

New York gets a chance to see select sculptures made by some of 1,500 participants in Swiss artist Urs Fischer’s retrospective at LA’s Geffen Contemporary last summer. Select pieces have been cast in bronze and are on view at Gagosian Gallery’s atmospheric Lower East Side pop-up in an old Chase bank. (Through May 23rd).

Urs Fischer, mermaid (in middle ground of photo), cast bronze, 40 ½ x 48 x 84 inches, 2014.