Tag: timothy taylor

Hayal Pozanti at Timothy Taylor Gallery

Although it’s their vibrant color that leaps out, Hayal Pozanti’s oil stick paintings of the natural world rely on shape to reinterpret the landscape as a conduit to emotional states.  Over many years, Pozanti has devised her own language of forms, here rendered in curving and organic masses as blushing, enormous pink flowers. Via her new, large-scale paintings at Timothy Taylor Gallery’s new Tribeca location, the artist not only celebrates her recent move to the Vermont countryside but explores how intense color can release strong feeling. (On view through May 27th).

Hayal Pozanti, Magic Music We Make With Our Lips, oil stick on linen, 2023.

Jean Dubuffet in ‘Dubuffet/Chamberlain’ at Timothy Taylor Gallery

Using a restricted palette dominated by primary colors, champion of non-academic art Jean Dubuffet expressed the whirl of urban life in this 1982 work on paper now on view at Timothy Taylor Gallery.  Six anonymous figures are wide-eyed and grinning but their abstract context resists interpretation, conveying only that they’re navigating their immediate surroundings in the moment.  (On view in Chelsea through July 30th.  Masks and social distancing required.)

Jean Dubuffet, Site Aleatoire avec 6 personnages, acrylic and paper collage on paper laid down on canvas, 26 3/8 x 39 3/8 inches, 1982.

Hilary Pecis in ‘Dwelling is the Light’ at timothytaylor.com

West coast light and the pleasures of color define Hilary Pecis’ recent work at Rachel Uffner Gallery and Timothy Taylor Gallery’s current on-line show ‘Dwelling is the Light.’  Working from a photo archive that includes the homes of friends and family, Pecis creates vibrant portraits that leave out actual individuals but make you wish you could meet the characters who’ve created such sunny environments.  (On view at timothytaylor.com through May 15th).

Hilary Pecis, Morning, acrylic on canvas, 50 x 40 inches, 2019.

Claudia Martinez Garay in ‘Ilaciones’ at Timothy Taylor Gallery

Young Peruvian artist Claudia Martinez Garay’s paintings on plaster in the form of squash associate identity with the products of the land, personality with nourishment.  Though gourds go through quick cycles of growth and decay relative to humans, this shape appears ancient, taking the mind back through distant human histories tied closely to the land.  (On view at Timothy Taylor Gallery in Chelsea through July 26th).

Claudia Martinez Garay, Untitled (head), plaster and watercolor, 5 7/8 x 5 1/8 x 5 1/8 inches, 2018.