Although it’s their vibrant color that leaps out, Hayal Pozanti’s oil stick paintings of the natural world rely on shape to reinterpret the landscape as a conduit to emotional states. Over many years, Pozanti has devised her own language of forms, here rendered in curving and organic masses as blushing, enormous pink flowers. Via her new, large-scale paintings at Timothy Taylor Gallery’s new Tribeca location, the artist not only celebrates her recent move to the Vermont countryside but explores how intense color can release strong feeling. (On view through May 27th).
Hayal Pozanti, Magic Music We Make With Our Lips, oil stick on linen, 2023.
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
View all posts by Merrily Kerr
