ASMA at Deli Gallery

In Greek mythology, Narcissus broke hearts and in turn had his own heart broken by falling in love with his reflection in a pool of water.  Related imagery appears throughout Mexico City-based duo ASMA’s current show at Deli Gallery in Tribeca, along with a sculpture of the flower that Narcissus was said to have turned into upon his death.  Working in a variety of materials including platinum silicon and cast bronze, the artists ponder this posthumous transformative act, considering life between fixed states.  Here, a wall-mounted bronze bust of a male torso skews upward and to the side, as if being tugged out of conventional space and time.  (On view through Feb 19th).

ASMA, It seeks, is sought, it burns and it is burnt, cast bronze, 27 ½ x 24 ½ x 2 inches, 2021.

Michael Sailstorfer at Galerie Perrotin

Berlin-based artist Michael Sailstorfer’s tear-themed show at Galerie Perrotin aims to convert sadness to fun.  Here, a rickety farm building is destroyed by wrecking balls in the shape of teardrops (cables were removed post-production). Elsewhere, the artist prepares tear-shaped lumps of coal for burning and morphed Bavarian beer bottles into tear-shapes with the help of a glass-blower.  (On view on the Lower East Side through April 13th).

Michael Sailstorfer, Tranen, video, 2015.

Chow Chun Fai at Klein Sun Gallery

Hong Kong artist Chow Chun Fai paints stills from Hong Kong films, including this distillation of loneliness from Wong Kar-wai’s 1994 classic Chung King Express. Filmed just three years before Hong Kong’s return to China, the movie is about failed relationships and new beginnings, a position that interests Chow Chun Fai as Hong Kong heads towards socialist governance by 2047. (At Klein Sun Gallery in Chelsea through Nov 12th).

Chow Chun Fai, Chungking Express – Tears, oil on canvas, 39 3/8 x 59 inches, 2016.
Chow Chun Fai, Chungking Express – Tears, oil on canvas, 39 3/8 x 59 inches, 2016.

John Miller at Mary Boone Gallery

Game show contestants and reality TV personalities are the subject of John Miller’s paintings and this sculpture at Mary Boone Gallery in Chelsea. Moments of supposedly ‘real’ emotion accompany paintings of empty, dramatically tacky game stages, conjuring a bizarre world of fakeness. (Through Feb 28th).

John Miller, Public Display, 68 x 58 x 58 inches, acrylic/wood, formica, 2013.