Ariel Orozco at Spencer Brownstone Gallery

No detail of urban life is too mundane for Mexico-City based conceptual artist Ariel Orozco, whose minimalist panels at Spencer Brownstone Gallery uncover a hidden choreography in the metropolis.  Finding himself trailing 18 wheelers through city traffic, Orozco recorded the patterns of blinking lights on the rear of the trucks, then recreated the same flashing sequences with lights embedded into canvas.  The effect is humorous and surprisingly engaging…and viewers don’t even have to deal with diesel exhaust.  (On view on the Lower East Side through Nov 8th).

Ariel Orozco, installation view of La cabeza el los pies (Head on feet), truck tail lights, electrical hardware, circuit box, canvas on panel, 90.5 x 78.5 inches, 2020.

Jane South at Spencer Brownstone Gallery

A metal panel bolted closed on a grimy subway wall, a garage door and barred windows of an industrial building and other snapshots of the built environment are among the inspirations for Jane South’s new wall-mounted assemblages at Spencer Brownstone Gallery.  Posted to her Instagram account as #streetsources and #subwaysources, the photos speak to the long and varied life of the structures surrounding us as translated into canvas, tarp, batting and other materials.  (On view on the Lower East Side through April 5th).

Jane South, Mark, acrylic, canvas, batting, fabric, thread and mixed media, 105 x 109 inches, 2019.

Rena Detrixhe at Spencer Brownstone Gallery

Finely sifted red soil imported from Oklahoma becomes a patterned carpet in Rena Detrixhe’s first New York solo show at Spencer Brownstone Gallery.  Using a trowel to smooth down the dirt, then imprinting it with modified shoe soles, the Kansas-based artist considers the symbolic value attached to land in the mid-west while alluding to mankind’s impact on it.  (On view on the Lower East Side through June 16th).

Rena Detrixhe, Red Dirt Rug, sifted red soil, 20 x 10 feet, 2019.