How could an avant-garde mid-century painter keep up with the trends in abstract minimalism while still making representational work? This clever 1967 canvas by Sylvia Plimack Mangold has the artist looking down for an answer and finding a ready-made grid of wood – a Minimalist-approved material – that has an inherently physical relationship to the viewer. (At Alexander and Bonin Gallery through Jan 4th.)
Sylvia Plimack Mangold, Floor 1, acrylic on canvas, 1967.
