Both ‘blue jeans’ and ‘the blues’ are listed as materials in Vanessa German’s towering sculpture ‘Sad Rapper,’ the title piece of her current solo show at Chelsea’s Kasmin Gallery. Not only a visual artist but a poet and performer, German creates descriptions of her assembled sculptures that double as poetic reflections on the thought processes behind the work. Dressed in blue and standing on a platform of red and white stripes, this figure represents a less easily recognized ‘American’ character, one covered in prayer bundles but laden with society’s expectations. (On view through Oct 22nd).
Vanessa German, Sad Rapper, wood, tar, 75 pounds of old blue jeans, the blues, sorrow, cuz in 1983 rappers could be bad but could not be sad— or gay, holiness, salt, a groan, tears, African blue and white cloth, love, meanness, the way that it feels to need to cry but not be able to cry— for an exceptionally long time, convinced of muscle instead of tenderness, grief, yarn, twine, loneliness, old blue bed sheets, heartbreak and lying about it, canvas, prayer beads, shame, black pigment, delusion, love, love, love, you gonna be ok ni$$a, you ain’t alone homie, it’s ok, just go’on ahead and be broken for a little while, shit~ life is hard sometimes, red and white paint, foam, ptsd, glue, plaster, heat, 78 x 48 x 40 inches, 2022.
Created during quarantine but using faces and feet crafted 20 years ago, Sharif Bey’s small but forceful Boilermaker sculptures layer references to the artist’s personal history as a maker and art history. Formed from a vessel fired with nails and shards to resemble a nkisi nkondi power figure, ‘Boilermaker: Fidel’ references a working-class beer cocktail and Bey’s father’s job as a Pittsburgh boilermaker. The artist identifies the central focus of his work as an investigation of how power manifests; his hybrid sculptures encourage complex understandings of power and influence. (On view at Albertz Benda Gallery in Chelsea through March 27th. Masks and social distancing required).
Sharif Bey, Boilermaker: Fidel, earthenware and mixed media, 15 x 10 x 9 inches, 2021.
Pittsburgh-based artist Vanessa German assembles a stunningly arrayed army of folk characters for her current show at Chelsea’s Pavel Zoubok Gallery. The figure in the foreground holds a lantern aloft as if to metaphorically light the way forward; a mother with an astounding headdress of ceramic devotional sculpture holds her limp child to the right; a figure at back speaks for social justice by holding up a stop sign. (Through Nov 30th).
Vanessa German, installation view of ‘I Am Armed. I Am an Army’ at Pavel Zoubok Gallery. Foreground: ‘no admittance apply at office,’ mixed-media assemblage, 73 x 30 x 16 inches, 2016.
