Michael Cline at Horton Gallery

New York-based painter Michael Cline updates both the portrait and still life traditions with eccentric arrangements of plants and flowers sprouting eyes, teeth and an ear.  This arrangement, with its lights (electric and candle) and card reading, “…really rules the world” unnervingly suggests hidden surveillance.  (At Horton Gallery on the Lower East Side through Dec 8th).  

Michael Cline, Arranged Portrait, oil on linen, 2013.

Francis Upritchard at Anton Kern Gallery

Francis Upritchard’s medieval-looking characters ride, run, lunge and more as they engage in slightly ludicrous one-sided combat.  Their expressions read as aloof, nauseous or perhaps both, which seems fitting for such convincingly-executed weedy warriors. (At Chelsea’s Anton Kern Gallery through August 9th)  

Francis Upritchard, installation view at Anton Kern Gallery featuring ‘Rider,’ modeling material, wire, fabric, leather and shell buttons, 2012.

Goshka Macuga on the High Line in ‘Busted’

Public sculptures tend to depict moments of triumph, not regret. This makes Polish artist Goshka Macuga’s bronze rendition of Colin Powell, part of the High Line’s portrait exhibition ‘Busted,’ surprising and poignant as he shows the leader holding a vial of anthrax in his 2003 UN speech on weapons of mass destruction. (Through June 2014 at 22nd Street on the High Line.)  

Goshka Macuga, ‘Colin Powell,’ bronze and concrete, 2009.

Richard Dupont at Tracy Williams, Ltd.

Known for digitally distorted, 3-D self-portraits, New York based artist Richard Dupont takes his artwork a step closer to painting by mounting this cast of an enlarged head and creating a ghostly portrait with disarming presence.  (At Tracy Williams, Ltd. through June 28th.)  

Richard Dupont, Untitled, cast pigmented resin and marble dust, 2013.

Yoshitomo Nara at Pace Gallery

Japanese art star Yoshitomo Nara is back in New York with his trademark young, female characters, but they’ve matured and become decidedly less cute in his first show with Pace Gallery.  This five and a half foot tall bronze sculpture has distorted features but a benevolent expression, suggesting she’s more supreme being than pouty kid. (Through June 29th).  

Yoshitomo Nara, Setsuko the Cat, bronze, 2012.