Chicago-based octogenarian Margot Bergman makes her New York solo debut with highly emotive, expressionist portraits created on canvases found in thrift stores and flea markets and reworked into double portraits. Here, a kindly, elderly face peers out from the forehead of a pouty-lipped blond, perhaps foretelling the younger woman’s future or portraying her internal voice. (At Chelsea’s Anton Kern Gallery through Aug 19th).
Young Saskatchewan-based artist Zachari Logan asserts a new place in the natural world for the male body in works like ‘Leshy,’ a human figure created from flora and fauna, beautifully rendered in pastels on black paper. (At Julie Saul Gallery in Chelsea through Aug 12th).
Brooklyn artist Deborah Brown reframes Picasso’s distorted, phallic-headed sculpture of Picasso’s lover Marie-Therese with wicked humor by imaging her in painted form, an innocent in traditional dress, frolicking in a garden. (At Mike Weiss Gallery in ‘School’s Out!’ through August 6th).
Self-taught super realist painter Lordan Bunch paints children from class photos and photo-booth shots, pulling their identities from oblivion to act as memento mori. (At Foley Gallery on the Lower East Side through June 30th).
The woman at the center of Nicole Eisenman’s portraits ‘Weeks on the Train,’ (the writer Laurie Weeks) is casually posed, but commands an unusually large amount of room. The space creates an aura around her and gives her a sense of approachability that eludes the two oddballs seated in front of her. (At Anton Kern Gallery in Chelsea through June 25th).
