Angel Otero at Hauser & Wirth Gallery

Featuring a piano from his studio, a former church building in the Hudson Valley, this vibrant painting by Angel Otero is a standout among his new work at Hauser & Wirth Gallery.  Otero once created abstract images from sheets of dried oil paint; he now employs a combination of techniques from paint on canvas to collaged paint, resulting in thick, complex surfaces that suggest layers of memories.  Inspired by recollections of his upbringing in Puerto Rico, ‘Concerto’ acknowledges the personal resonance of objects like dentures in a glass, a large cooking pot or the magical suggestion of a school of goldfish filling the air.  (On view in Chelsea through Dec 23rd).

Angel Otero, Concerto, oil paint and fabric collaged on canvas, 95 x 95 x 1 ½ inches, 2022.

Angel Otero at Lehmann Maupin Gallery




Using skins of dried, peeled paint as a collage material, Angel Otero adheres color to his canvas in fleshy pinks and mustard yellows that recall deKooning’s sensuous Pink Angels tempered by a cooler palette.  (At Lehmann Maupin on the Lower East Side through Dec 31st).

Angel Otero, Come Sleep with Me: We Won’t Make Love, Love will Make Us, oil paint and fabric collaged on canvas, 96 x 72 x 2.5 inches, 2015.


Angel Otero at Lehmann Maupin Gallery

Brooklyn-based artist Angel Otero adds towers of ceramic and steel to a selection of his trademark textured paintings created with oil skins in his latest body of work at Chelsea’s Lehmann Maupin Gallery. Lauded for suggesting ‘secrets unearthed,’ not ruins but ‘ideas to build on, models to live by,’ in a recent piece by The Village Voice’s Christian Viveros-Faune, Otero’s fired steel and glazed porcelain ‘Slot’ sculptures evidence a remarkable drive to alter his materials.  (Through Nov 2nd).   

Angel Otero, installation view, ‘Gates of Horn and Ivory’ at Lehmann Maupin Gallery, Sept, 2013.