Kyle Staver at Zurcher Gallery

Beyond a circle of big cats, claws extended and mouths open, a dazzle of wide-eyed zebras sprint across the grass in this dramatic nature scene by New York painter Kyle Staver.  Now on view at Zurcher Gallery, Staver’s paintings continue to upend traditional European art historical iconography (Susanna’s pet tigers keep her safe from molesting Elders, for example).  Edward Hick’s folk art, harmony-between-creatures ideal ‘Peaceable Kingdom’ comes to mind with ‘Zebra Pass,’ but differs from that arcadia thanks to the menace of waiting predators.  (On view on the Lower East Side through July 24th).

Kyle Staver, Zebra Pass, oil on canvas, 70 x 52 inches, 2019.

Kyle Staver at Kent Fine Art

Kyle Staver’s large paintings at Kent Fine Art update legends and classical mythology with panache and humor, but her small terracotta studies stand out for their immediacy. Here, Venus tries unsuccessfully to persuade Adonis not to venture out on his ill-fated hunt in a compressed action scene that casts Venus as a solid earth-mother and Adonis as an ungainly and heedless youth. (In Chelsea through Oct 22nd).

Kyle Staver, Venus and Adonis Study (after Titian), terracotta, 13 x 10 ½ inches, 2016.
Kyle Staver, Venus and Adonis Study (after Titian), terracotta, 13 x 10 ½ inches, 2016.

Kyle Staver at Steven Harvey Fine Art Projects

A faintly suggested head of blond hair and delicate facial features on Ganymede as he is abducted by Zeus – an eagle with a wizened expression – succinctly tell an ancient tale in Kyle Staver’s graphically simple, wonderfully imagined reworking of the Greek myth. (At Steven Harvey Fine Art Projects on the Lower East Side through Oct 11th).

Kyle Staver, Ganymede, oil on canvas, 68 x 58 inches, 2015.