Cynthia Daignault at Kasmin Gallery

Visiting Gettysburg National Military Park can amount to moving from one memorial to another, but Cynthia Daignault’s new series of paintings at Kasmin Gallery, inspired by the Civil War battlefield, focus not on the built environment but the natural world.  Called ‘a rumination on the meaning of site and time’ by the gallery, Daignault’s work features ‘witness trees,’ which were alive in the 1860s and are still in place today.  Surrounded by graves, the trees operate outside of a human timeframe and offer an alternative perspective on historic events.  Painting titles include terms like ‘synecdoche’ or ‘chiaroscuro,’ suggesting that parts of an image can tell a larger story or that events exist in shades of light and dark.  Here, ‘Gettysburg (Stereoscopic)’ nods to the popular 19th century photographic technique that creates depth by presenting two near identical images side-by-side.  (On view through Jan 8th. Note holiday hours and closures.)

Cynthia Daignault, Gettysburg (Stereoscopic), oil on linen, 30 x 60 inches, 2021.

Alexander Harrison in ‘New Old Histories’ at Kasmin Gallery

Paused in mid-action and wearing tattered clothing, this cowboy may look worse for wear, but he appears to have come out on top.  What he’s literally on top of – a platform hiding three individuals with huge eyes – suggests the drama isn’t quite over.  Alexander Harrison’s cowboy – backlit by a fiery red sky and composed of dynamic, bending limbs – is a highlight of Kasmin Gallery’s group show ‘New Old Histories;’ in one action-packed moment, Harrison frustrates the typical Western good guy vs bad guy dichotomy (is he the law or is the law after him?) and leaves us wanting more.  (On view in Chelsea through June 26th.  Masks and social distancing required.)

Alexander Harrison, Beyond the Horizon, acrylic on panel, 47 ½ x 47 ½ inches.

Ian Davenport at Kasmin Gallery

A cascade of color greets visitors to Kasmin Gallery’s cavernous 27th Street gallery in the form of British artist Ian Davenport’s large-scale poured paintings.  Inspired by the gorgeous colors he once encountered in a field of bluebonnets, the artist planned sequences of poured lines of paint that would translate a natural vision into a powerful, mediated experience of color.  (On view in Chelsea through Jan 9th).

Ian Davenport, Spring (Bluebonnet), acrylic on aluminum (six panels with additional floor section), 129 7/8 x 236 ¼ x 39 3/8 inches, 2018.