Julie Heffernan at PPOW Gallery

Over the past four decades, Brooklyn painter and art professor Julie Heffernan has questioned traditional roles for women in fantastical works that channel art history and champion female agency.  Her latest body of work lauds women who have stood up to power in portraits that hang alongside framed paintings that reverse typical art historical power relations.  In the background here, Heffernan’s reworks Rubens’ ‘Rape of the Daughters of Leucippus,’ by replacing a man with a woman on horseback, making her rescuer rather than perpetrator. (On view at PPOW Gallery in Chelsea through Oct 6th).

Julie Heffernan, Self-Portrait with the Daughters, oil on canvas, 79 x 56 inches, 2018.

Julie Heffernan at PPOW Gallery

‘Self Portrait as Afterparty’ continues Brooklyn-based painter Julie Heffernan’s ongoing quasi-self-portrait series, here in a post-apocalyptic scenario in which she eschews plates of spaghetti to gather sacks of game.  An abandoned dinner, piles of rocks, some of which have smashed the chairs, and a picture of an exploding volcano suggest that the end of the world has come but this goddess-like survivor can fend for herself.  (At Chelsea’s PPOW Gallery through Nov 16th).  

Julie Heffernan, Self Portrait as After-party, oil on canvas, 2013.