Jude Tallichet in ‘Six Features’ at Robert Miller Gallery

Though it looks like the immortalization of a moment of passion, Jude Tallichet’s ‘Abandoned Clothes’ chronicles in cast bronze items of clothing dropped on the floor. From a jacket to pants with underwear and socks still inside, the installation’s solidly present objects underscore the mystery of what happened to the absent wearers. (At Robert Miller Gallery through August 1st).

Jude Tallichet, Untitled (Flung Suit Jacket), cast bronze (polished), 2012.

Inka Essenhigh in ‘Sargent’s Daughters’ at Sargent’s Daughters

It’s hard to tell if this enchanted scene is aided or threatened by the dark-faced spirit behind a frolicking young woman and two sprites. Titled ‘The 1%,’ this painting by New Yorker Inka Essenhigh suggests that their bliss is tenuous. (At Sargent’s Daughters through July 26th).

Inka Essenhigh, The 1 %, oil on canvas, 30 x 12 inches 2014.

Nancy Lupo in ‘Mineral Spirit’ at Laurel Gitlen

LA based artist Nancy Lupo’s sculptures thrive on odd juxtapositions, like this Rubbermaid BRUTE trash can studded with traditional and eco-friendly brands of toilet tissue. In the background, Babybel cheese wheels punctuate a bright yellow can. (At Laurel Gitlen on the Lower East Side through August 1st).

Nancy Lupo, (foreground) So Soft and Delicious, 32-gallon Rubbermaid BRUTE container in white, Cottonelle, Quilted Northern, Angel Soft Pretty Prints, 7th Generation and 365 toilet tissues, 26 x 26 x 24 inches, 2014.

David Kennedy Cutler in ‘Eric’s Trip’ at Lisa Cooley

Though hard to photograph, David Kennedy Cutler’s impressive sculptures – created by molding tall sheets of Plexi with a heat gun and his own body – are impossible to miss in Lisa Cooley Gallery’s summer group exhibition. While manifesting a ghostly, physical presence of their own, they also co-opt the gallery’s lighting and use the show’s other works as backdrop. (On the Lower East Side through August 1st).

David Kennedy Cutler, installation view at Lisa Cooley Gallery, July 2014. Plexiglas sculptures from the series, ‘No More Right Now Forever.’

‘Supports/Surfaces’ at Canada Gallery

In 1960s south of France, a group of artists looking for alternatives to traditional ways of making art informally opted for abstract compositions favoring geometry and color. Canada Gallery on the Lower East Side showcases work that seduces with its handmade, colorful and rhythmic qualities. (Through July 20th).

Installation view of ‘Supports/Surfaces’ at Canada Gallery, June 2014.