Known for the ‘stupid, crazy, ridiculous, funny patterns’ (a 2014 show title) of her paintings, Katherine Bernhardt’s new work at Canada NYC continues to amuse with repeating images of Bart Simpson at his most irreverent. Dropping his shorts and flanked by two giant smoking cigarettes, the day-glo cartoon character is an emblem of provocation and yet hard to take seriously. Bernhardt finds more contrast in each paintings’ combination of street-art channeling spray-painted outlines vs washy acrylic staining that signals considered painterly abstraction. To those who might worry about the seriousness of Bernhardt’s series, the painting’s title applies: ‘Don’t have a cow, man.’ (On view through Feb 25th).
Tag: canada gallery
Ryan Preciado at Canada Gallery
Inspired by the Pope’s mitre, Chumash tradition, California car culture and much more, young west coast designer Ryan Preciado presents furniture at Canada Gallery that conveys comfort, pleasure and sturdiness. Like Matt Conners’ abstract paintings in the adjoining gallery, color and structure dominate our sensory experience. Practical and welcoming, Preciado’s approach to design was impacted by watching his sister squirm to get comfortable on the family couch. (On view in Tribeca through March 5th).
Aidas Bareikis at Canada New York
Brooklyn-based Lithuanian sculptor Aidas Bareikis continues to mine the world’s junk for his intense sculptural accumulations. Here, ‘Too Much Seaweed’ suggests a global warming meltdown or a calving of the planet. (At Canada New York on the Lower East Side through Dec 4th).
Katherine Bernhardt in ‘Make Painting Great Again’ at Canada New York
At eight feet high, Katherine Bernhardt’s vibrant, textile-like painting overwhelms with powerful graphics while her subject matter – plantains, cigarettes, basketball and Lisa Simpson – samples pop culture and everyday objects with strong associations. (At Canada New York through July 15th).
‘Supports/Surfaces’ at Canada Gallery
In 1960s south of France, a group of artists looking for alternatives to traditional ways of making art informally opted for abstract compositions favoring geometry and color. Canada Gallery on the Lower East Side showcases work that seduces with its handmade, colorful and rhythmic qualities. (Through July 20th).
Installation view of ‘Supports/Surfaces’ at Canada Gallery, June 2014.