Jana Euler in ‘Suncrush’ at Greene Naftali Gallery

Known for large paintings of plug sockets, phallic sharks rearing out of the ocean depths, surreally distorted human figures, multi-horned unicorns called ‘Morecorns’ and other uncanny imagery, Frankfurt and Brussels-based painter Jana Euler addresses power, gender and sexual relations with humor.  In the group exhibition ‘Suncrush’ at GreeneNaftali Gallery in Chelsea, Euler’s ‘Closed Circuit,’ connects a washing machine and a Canon camera by a flexible, fabric lens that joins the circular forms on the front of each device.  Each of the improbably joined devices suggest viewing – through a lens or window – but while the assumption is that the camera will be trained on something interesting, the washer recalls the banality of housework.  Together, the two elements of the painting suggest the coexistence of, or perhaps battle between, a tool’s potential for excitement vs drudgery.  (On view through July 28th).

Jana Euler, Closed Circuit, oil on canvas and artist’s frame, 60 ½ x 96 inches, 2023.

Sophie von Hellerman at Greene Naftali Gallery

Though inspired by the local history and landscape of the countryside near her studio in Kent, England, Sophie von Hellerman’s latest paintings are anything but tranquil.  Scenes of ecstatic dancing and energetically soaring birds join paintings like this one – depicting a WWII soldier’s plane crash in the woods – to offer unexpected rural drama.  (On view at Greene Naftali Gallery in Chelsea through Feb 2nd).

Sophie von Hellerman, Ileden Woods, acrylic on canvas, 9 ½ x 124 7/8 inches, 2018.

Candy Jernigan at GreeneNaftali Gallery

Late New York artist Candy Jernigan’s ’99 Bottles of Beer on the Wall’ brings to mind an apothecary’s shelves, though tags reading ‘Guinness Dark,’ and ‘Colt 45’ for example, suggest that these are more contemporary medicines, gathered from LES streets (along with the crack vials and cheez doodles in other artworks) in the 80s. (At GreeneNaftali through March 15th).

Candy Jernigan, ’99 Bottles of Beer on the Wall’ (detail), beer, glass vials, packing tags and Plexiglas shelves, 48 x 14 x 3 ½ inches, c. 1988-89.

Gedi Sibony at Greene Naftali Gallery

Known for highly conceptual sculpture and installations using traditionally non-art materials, New York artist Gedi Sibony takes a step towards legibility in his latest show, which offers carpet painted with five images (an acorn, snowflake, seedling, sun and butterfly) that evoke the seasons.  Before them a scuffed, arc-shaped form recalls an empty stage – a platform signifying the potential to communicate.  (At Chelsea’s GreeneNaftali Gallery through June 15th.)  

Gedi Sibony, foreground sculpture: The Porcelains, wood and mixed media, 2013.  3 wall panels: Ceaseless Episodes of Blossom, carpet, primer, 2013.

Allen Ruppersberg on 18th Street and 10th Ave – High Line Art

West-coast conceptual art legend Allen Ruppersberg is known for adopting LA’s colorful roadside signage (popular for advertising garage sales, etc) for his text-based artwork.  Here on 10th Ave and 18th Street in Chelsea, he commands a huge sign of his own to present a series of (romantic?) meditations on relationships between ‘me’ and ‘you.’  (Presented by High Line Art/Friends of the High Line through Feb 28th).  

Allen Ruppersberg, You & Me, print on vinyl, 25 x 75 feet, 2013.