Allison Schulnik at PPOW Gallery on and Vimeo

‘Moth,’ a 3-minute stop motion animation by Allison Schulnik was a highlight of her PPOW Gallery show in Chelsea and is also available on Vimeo.  Over 14 months, Schulnik painted gouache on paper frames for the piece, following a moth’s unconventional metamorphosis into a variety of creatures.  Created after a move from LA to the desert landscapes of Sky Valley, CA, and while becoming a mother, Schulnik’s personal transformation inspired an engrossing mediation on change.  (Chelsea’s PPOW Gallery is closed to the public to help stop the spread of COVID-19, but Moth can be seen on Vimeo).

Allison Schulnik, still from ‘Moth,’ 2019.

Amy Cutler at Leslie Tonkonow Artwork and Projects

If everyone could see inside your head right now, what thoughts would be laid bare? Amy Culter’s incredible cross section shows one woman’s mental map as a series of bizarre dreams, from a scary, hostage-holding snowman to the hilarious notion that our teeth are just the caps worn by a team of ladies nestled shoulder to shoulder in our jaws. (At Leslie Tonkonow Artworks and Projects in Chelsea through June 30th).

Amy Cutler, Molar Migration (detail), gouache on paper, 22 3/8 x 22 7/8 inches, 2012.
Amy Cutler, Molar Migration (detail), gouache on paper, 22 3/8 x 22 7/8 inches, 2012.

Amy Cutler at Leslie Tonkonow Artworks + Projects

Known for her meticulous drawings of cult-like, all-female communities engaged in mysterious tasks, Amy Cutler explores the individual identities of select characters in ‘Brood,’ her latest solo show at Leslie Tonkonow in Chelsea.  Her subjects range from beatific to stern, with this Nordic blond character falling somewhere in between. (Through March 9th).  

Amy Cutler, Magda, gouache on paper, 2011.

Sascha Braunig at Foxy Production

Sascha Braunig, Nets, gouache and acryla-gouache on paper, 2012.
Sascha Braunig, Nets, gouache and acryla-gouache on paper, 2012.

‘Nets’ by young, Maine-based painter Sascha Braunig blurs the boundaries between her subject and his/her background, begging the question of where this individual’s boundaries lie.  Is (s)he real or virtual?  What effects have applied?  And where might we meet such a person?  (At Chelsea’s Foxy Production, through Feb 9th).