Rachel Rose at Gladstone Gallery

Rachel Rose’s recent sculptures at Gladstone Gallery juxtapose blown glass and large rocks or, in this case, a wood burl shaped like an egg, to contrast two vastly different natural materials and represent a ‘moment of radical shift.’ The show’s centerpiece, a film titled ‘Enclosure,’ also considers a rupture that continues to impact relations between humanity and nature today. Via the fictional story of a band of thieves who set out to defraud English rural communities of their land, Rose examines how, from the 17th century onward, the Enclosure Acts in England allowed consolidation of large tracts of land, taking them out of collective ownership and putting them into the hands of powerful interests. (On view on 21st Street in Chelsea through Feb 26th).

Rachel Rose, Burl Egg, burl egg and blown glass, 2021.

Vivian Suter at Barbara Gladstone Gallery

From her studio on a former coffee plantation in rural Guatemala, Argentine-Brazilian artist Vivian Suter created the large-scale paintings currently hanging from the ceiling, covering walls and extending to the floor at Gladstone Gallery’s 21st Street location.  Inspired by nature and literally created outdoors, sometimes in conjunction with the elements, Suter aims to subordinate art to the power of nature.  (On view in Chelsea through June 8th).

Vivian Suter, installation view at Gladstone Gallery, April 2019.

R.H. Quaytman at Gladstone Gallery

An invitation to create a permanent installation for Inhotim, the Brazilian garden and art collection, was the prompt for this exhibition by New York artist R.H. Quaytman at Gladstone Gallery’s 21st Street location. Working with architect Solveig Fernlund on the exhibition design, Quaytman creates mini galleries that foregrounds ordering and sequence in both the gallery’s space and the art. (Through Dec 20th).

R.H. Quaytman, installation view of ‘O Topico,’ Gladstone Gallery, November 2014.

Gedi Sibony in ‘Galerie Neu at Gladstone Gallery’

This ready-made painting/sculpture composed of truck doors hung on the wall by New York artist Gedi Sibony looks like it’s been around the block. Heavy use and the suggestion of censorship in the grey-painted areas give these otherwise mundane doors interest. (At Chelsea’s Barbara Gladstone Gallery through August 1st).

Gedi Sibony, The Revolving Rey, trailer, 109 x 94 ½ inches, 2014.