Named Hephaestus, after the god of fire and blacksmiths, this towering, skeletal sculpture by LA artist Matthew Monahan suggests that its power lies not in massive proportions but the ability to assemble an arresting totem from scrap. (At Anton Kern Gallery through June 28th).
Matthew Monahan, Hephaestus, patinated bronze, stainless steel, patinated rebar, 144 1/8 x 114 ¼ x 82 ¾ inches, 2013.
Further to yesterday’s post, Ai Weiwei’s activism continues at Mary Boone’s Chelsea gallery with ‘Forge’ an installation of twisted pieces of rebar. Though the print and carefully arranged, twisted pieces of metal on the floor appear to be calligraphic abstractions, they’re created from pieces of metal retrieved from shoddily constructed schools that collapsed in the 2008 earthquake, killing thousands of children. (Through 21st.)
In Chinese, ‘river crab’ sounds like a euphemistic term used to describe censorship, so when artist and human rights activist Ai Weiwei learned in 2010 that his newly built studio was to be demolished by the local government, he hosted a protest feast at which 10,000 river crabs were served. This installation of 2,500 handmade ceramic crabs at Mary Boone Gallery’s Fifth Ave & 57th Street space recalls that event and demonstrates WeiWei’s insuppressible resistance. (Through Dec 21st.)
