Anna Conway at Fergus McCaffrey Gallery

Anna Conway’s surreal landscapes and tense interior scenes often feature working men whose importance is questionable.  Here, in an oil painting from 2004 featured in her current solo show at Fergus McCaffrey Gallery in Chelsea, four men in uniform lie flat on sandy soil to reach into a man-made pool.  Their tiny figures, echoed in the forms of spindly trees above them, appear ill-equipped to correct whatever problem lurks below.  Titled ‘Pound of Cure,’ the piece presents the unpleasant consequences of someone’s lack of foresight.  (On view through Dec 23rd).

Anna Conway, Pound of Cure, oil on panel, 44 x 60 inches, 2004.

Masakatsu Sashie at Jonathan LeVine Gallery

Whether they hover over desolate wastelands piled with junk or barren city streets, Masakatsu Sashie’s floating spheres add another ominous note to already bleak, futuristic landscapes. Composed of old machines or cobbled together from an assortment of panels and featuring text that appears to be ads, the orbs grimly foretell a post-human world. (At Jonathan LeVine Gallery through Nov 12th).

Masakatsu Sashie, Invisible Rule, oil on canvas, 35 1/8 x 57 ¼ inches, 2016.
Masakatsu Sashie, Invisible Rule, oil on canvas, 35 1/8 x 57 ¼ inches, 2016.

Rachel Lee Hovnanian at Leila Heller Gallery

Slip on a hospital smock and you can test drive a ‘perfect baby’ model in Rachel Lee Hovnanian’s nursery/showroom at Leila Heller Gallery’s Chelsea location. Hovnanian’s dystopic vision looks ahead to a time when it’s possible to engineer perfect achievers; each baby comes with its own stellar future resume. (Through October 18th).

Rachel Lee Hovnanian, Perfect Baby Showroom, wallpaper, extension cords, baby dolls, metal, acrylic, wood, neon light, foam, cotton fabric, LED lights, cereal, dimensions variable, 2014.